An inspiring narrative that will be especially valuable to young people seeking to work for humanitarian causes.
A moving account of a determined young woman’s journey from poverty to humanitarian activism.
Raised by a generous, wise grandmother in Zimbabwe, Nyamayaro came of age in a time of withering heat. “There is no cool or comfortable place to hide,” she writes on the first page of her memoir. “The leaves of the tree are long gone, and with it the shade, burned away by the punishing drought that has descended on our small village.” The ensuing famine meant widespread death, but she was kept from starvation by the ministrations of U.N. aid workers. She was determined to become an aid worker herself. In 2000, at the age of 25, she moved to London, where an Irishwoman she met in a hostel dubbed her “Girl from Africa.” Nyamayaro, who returned the favor by dubbing the woman “Tiny Nose,” didn’t mind the sobriquet: “The fact that I’m African is all that matters, and that is enough. I am after all Mwana Wehvu—a child of the African soil.” Scraping to survive, finally finding work as a janitor, she talked her way into a volunteer position at a humanitarian agency and began to take on projects of increasing importance—e.g., developing responses to the HIV/AIDS epidemic sweeping her native country and working to help the government of the nation of Georgia to maintain a health insurance program for impoverished communities. Leading a team to combat maternal mortality in childbirth, Nyamayaro became increasingly aware of the scarcity of resources as well as the pervasiveness of gender inequality. “Why is it that despite all the progress made by the women’s rights movement,” she asks, “no country or company or institution in the world can yet claim to have achieved gender equality?” Throughout this memorable account of her impressive life, the author recalls “the central, definitive African value and philosophy of ubuntu: that when we uplift others, we are ourselves uplifted.”
An inspiring narrative that will be especially valuable to young people seeking to work for humanitarian causes.Pub Date: April 20, 2021
ISBN: 978-1-982113-01-8
Page Count: 320
Publisher: Scribner
Review Posted Online: Feb. 7, 2021
Kirkus Reviews Issue: March 1, 2021
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
The lessons to draw are obvious: Smoke more dope, eat less meat. Like-minded readers will dig it.
The chef, rapper, and TV host serves up a blustery memoir with lashings of self-help.
“I’ve always had a sick confidence,” writes Bronson, ne Ariyan Arslani. The confidence, he adds, comes from numerous sources: being a New Yorker, and more specifically a New Yorker from Queens; being “short and fucking husky” and still game for a standoff on the basketball court; having strength, stamina, and seemingly no fear. All these things serve him well in the rough-and-tumble youth he describes, all stickball and steroids. Yet another confidence-builder: In the big city, you’ve got to sink or swim. “No one is just accepted—you have to fucking show that you’re able to roll,” he writes. In a narrative steeped in language that would make Lenny Bruce blush, Bronson recounts his sentimental education, schooled by immigrant Italian and Albanian family members and the mean streets, building habits good and bad. The virtue of those habits will depend on your take on modern mores. Bronson writes, for example, of “getting my dick pierced” down in the West Village, then grabbing a pizza and smoking weed. “I always smoke weed freely, always have and always will,” he writes. “I’ll just light a blunt anywhere.” Though he’s gone through the classic experiences of the latter-day stoner, flunking out and getting arrested numerous times, Bronson is a hard charger who’s not afraid to face nearly any challenge—especially, given his physique and genes, the necessity of losing weight: “If you’re husky, you’re always dieting in your mind,” he writes. Though vulgar and boastful, Bronson serves up a model that has plenty of good points, including his growing interest in nature, creativity, and the desire to “leave a legacy for everybody.”
The lessons to draw are obvious: Smoke more dope, eat less meat. Like-minded readers will dig it.Pub Date: April 20, 2021
ISBN: 978-1-4197-4478-5
Page Count: 184
Publisher: Abrams
Review Posted Online: May 5, 2021
Kirkus Reviews Issue: June 1, 2021
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