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THE SILVER BLONDE

Captures a time as well as a place: intelligent and thought-provoking.

A literary take on film noir during Hollywood’s golden age.

It’s 1946. While young men were off to war, 17-year-old Clara Berg landed a job as vault runner at major filmmaker Silver Pacific studios. After spending a year taking film reels to and from the locked, fireproof archive, Clara, who loves the film industry, has landed a promotion to apprentice editor. While tidying up after a plan to meet for drinks with her screenwriter and war veteran friend, Gil, falls through, she finds Barbara Bannon, controversial star of the current production, dead in the vault. The next day she learns that it was actually Barbara’s stand-in, Connie Milligan, who was killed. The police believe Bannon was the intended target, but Clara feels otherwise, especially as she begins to remember disturbing fragments from her own childhood in Nazi Germany. Ross’ novel brings working life on a movie set vividly to life. Clara’s investigations rely a bit too much on coincidence, and the final peril ends with a fizzle, but overall, the mystery keeps readers guessing. Side plots involve antisemitism in America and Germany, American isolationism, the Hollywood Anti-Nazi League, and Leni Riefenstahl (a woman known as Hitler’s girlfriend and filmmaker who really did travel to California in 1938 in an unsuccessful attempt to sell her works to the American market). All named characters are White.

Captures a time as well as a place: intelligent and thought-provoking. (author's note, glossary, filmography) (Historical mystery. 12-18)

Pub Date: July 27, 2021

ISBN: 978-0-385-74148-4

Page Count: 400

Publisher: Delacorte

Review Posted Online: May 16, 2021

Kirkus Reviews Issue: June 1, 2021

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THE CHANGING MAN

A descriptive and atmospheric paranormal social thriller that could be a bit tighter.

After a Nigerian British girl goes off to an exclusive boarding school that seems to prey on less-privileged students, she discovers there might be some truth behind an urban legend.

Ife Adebola joins the Urban Achievers scholarship program at pricey, high-pressure Nithercott School, arriving shortly after a student called Leon mysteriously disappeared. Gossip says he’s a victim of the glowing-eyed Changing Man who targets the lonely, leaving them changed. Ife doesn’t believe in the myth, but amid the stresses of Nithercott’s competitive, privileged, majority-white environment, where she is constantly reminded of her state school background, she does miss her friends and family. When Malika, a fellow Black scholarship student, disappears and then returns, acting strangely devoid of personality, Ife worries the Changing Man is real—and that she’s next. Ife joins forces with classmate Bijal and Benny, Leon’s younger brother, to uncover the truth about who the Changing Man is and what he wants. Culminating in a detailed, gory, and extended climactic battle, this verbose thriller tempts readers with a nefarious mystery involving racial and class-based violence but never quite lives up to its potential and peters out thematically by its explosive finale. However, this debut offers highly visually evocative and eerie descriptions of characters and events and will appeal to fans of creature horror, social commentary, and dark academia.

A descriptive and atmospheric paranormal social thriller that could be a bit tighter. (Thriller. 14-18)

Pub Date: Sept. 26, 2023

ISBN: 9781250868138

Page Count: 384

Publisher: Feiwel & Friends

Review Posted Online: June 8, 2023

Kirkus Reviews Issue: July 1, 2023

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PEMMICAN WARS

A GIRL CALLED ECHO, VOL. I

A sparse, beautifully drawn story about a teen discovering her heritage.

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In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.

Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.

A sparse, beautifully drawn story about a teen discovering her heritage.

Pub Date: March 15, 2018

ISBN: 978-1-55379-678-7

Page Count: 48

Publisher: HighWater Press

Review Posted Online: Feb. 28, 2018

Kirkus Reviews Issue: May 1, 2018

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