Strout’s many fans will love this sweet, rambling tale. More critical readers may feel it’s time for her to move on.
A group of familiar characters cluster around an almost-romance between writer Lucy Barton and lawyer Bob Burgess.
Strout’s latest novel is essentially a collection of stories, many of them shared by Lucy and Olive Kitteridge, who somewhat arbitrarily set this plotline in motion by telling Bob, “I have a story to tell that writer....I wish you would have her come visit me.” Lucy relocated to Crosby, Maine, with her ex-husband, William, during the pandemic, conveniently bringing together the people and backstories from most of Strout’s previous fiction. Among those returning with new chapters in their histories are Bob’s brother, Jim; sister, Susan; and ex-wife, Pam; along with his current wife, Margaret, a local minister who may be ousted by a parishioner whose defining quality is that he sleeps during services. The parishioner’s motive is never specified, which suits the overall tone of a novel anchored in the central premise of Strout’s work: “We all are such mysteries.” When Olive asks Lucy with irritation what the point of one of her stories is (readers may be wondering the same), Lucy answers, “People and the lives they lead. That’s the point.” A murder case in which Bob is defending a man accused of killing his mother offers the only firm closure here; more typical is another twist in the long-running issue of who was responsible for the death of Jim and Bob’s father, which culminates with the declaration, “No one will ever know.” Even Bob’s growing attraction to Lucy, though it reaches a crisis, subsides without definitive resolution. Strout’s tenderness for her characters and her belief that love is the only force in human lives as powerful as our essential loneliness are as moving as ever. But this all seems like very well-plowed terrain.
Strout’s many fans will love this sweet, rambling tale. More critical readers may feel it’s time for her to move on.Pub Date: Sept. 10, 2024
ISBN: 9780593446096
Page Count: 352
Publisher: Random House
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
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