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THE COMEBACK

A raw look at the toll that molestation takes on victims.

A 22-year-old Hollywood star—discovered in London as a young teen—tries to come to terms with the molestation and bullying she experienced early in her acting career.

Grace Turner seems to have it all—beauty, wit, acting chops, and a reputation as the muse for famous Hollywood director Able Yorke. However, behind that public facade, she is spiraling out of control as she uses alcohol and drugs to escape her life. And then, on the cusp of awards season, she disappears from the public eye. She spends the year quietly—and soberly—going through the routine that life at her parents’ house in Anaheim allows. She has a complicated relationship with everyone and everything: her parents, whom she distanced herself from as her star was rising; her sister, who was too young when she left home to be a friend; her husband, whom she holds up as a saint; the various women who try to become her friends but might only be pretending; and the drugs and alcohol that allowed her to distance herself from Able and the ugliness behind the glossy, picture-perfect scenes. When Grace returns to Los Angeles after her year away, she struggles with her future. Able and his wife, Emilia, loom large in her psyche—he as her tormentor and benefactor, and she as the woman who was supposed to look over her, but didn’t. Is Grace seeking revenge and an opportunity to destroy Able completely? A comeback? She isn’t sure herself. Readers familiar with the downfall of film producer Harvey Weinstein will see the influence of current events on this story, which is filled with tension and stress as the reader tries to predict what will happen next. Not all readers will be pleased with the ending.

A raw look at the toll that molestation takes on victims.

Pub Date: Aug. 3, 2020

ISBN: 978-0-593099-51-3

Page Count: 384

Publisher: Berkley

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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