A sci-fi mystery tackled in style by a feisty canine-human detective team.
Dogs and humans trying to stop high-tech data thieves find themselves facing a genocidal religious cult in this debut futuristic novel.
When Amy Callahan, an employee of the rescue agency Locate and Investigate, gets the call to find a missing robot scientist, it seems like just another day on the job. With a team of dogs who are empaths like herself, Amy and her canine companion, Lars, set out on the hunt and find their quarry quickly. But when the disoriented man turns out to be the victim not only of kidnapping, but also of intentional nanobot contamination, LAI investigators and their trusted animal sidekicks are drawn into an increasingly dangerous inquiry. In a society where cars and planes operate themselves and computer keyboards and revving engines are relics of the past, humans and dogs are beginning to forge telepathic communication through the “Canine Language Project.” Amy and the brave, intelligent kelpie/shepherd mix Lars work side by side with other human and dog partners, such as Gimli, a burger-loving Corgi who specializes in placing surveillance bugs in delicate places. On the trail of the data thieves who infected two robotics experts with deadly nanobots, Amy and Lars go on an undercover mission to investigate a megalomaniacal religious leader who seeks domination on Earth and beyond. Clary’s vision of the future is grounded in the emerging field of nanorobotics and the fanciful concept of dog-human communication. This sci-fi series opener is believable and intriguing; readers may wonder, for example, if Amy’s helpful “olfactory reflectometer” is a real or visionary investigative tool. The author also does a satisfying job of creating a convincing portrait of canine consciousness, with exchanges that expand the animal-human relationship while preserving an essential dogness in the pooches’ personalities. Issues like the ethics and legalities of using dog evidence inject a note of realism into a story that might otherwise seem far-fetched. The plot, which combines technology with religious zealotry, is pleasurably creepy, although the division of the book into 69 short chapters, with such prosaic titles as “Amy Talks with John” and “Tomas and Adam Talk,” seems choppy and baffling.
A sci-fi mystery tackled in style by a feisty canine-human detective team.Pub Date: July 9, 2019
ISBN: 978-1-943006-86-1
Page Count: 384
Publisher: Spark Press
Review Posted Online: May 10, 2019
Kirkus Reviews Issue: June 15, 2019
Review Program: Kirkus Indie
An ambitious and satisfying conclusion to a monumental saga.
Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.
This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”
An ambitious and satisfying conclusion to a monumental saga.Pub Date: Feb. 9, 2016
ISBN: 978-0-345-53984-7
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Dec. 8, 2015
Kirkus Reviews Issue: Dec. 15, 2015
Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days...
In 1876, professor Edward Cope takes a group of students to the unforgiving American West to hunt for dinosaur fossils, and they make a tremendous discovery.
William Jason Tertullius Johnson, son of a shipbuilder and beneficiary of his father’s largess, isn’t doing very well at Yale when he makes a bet with his archrival (because every young man has one): accompany “the bone professor” Othniel Marsh to the West to dig for dinosaur fossils or pony up $1,000, but Marsh will only let Johnson join if he has a skill they can use. They need a photographer, so Johnson throws himself into the grueling task of learning photography, eventually becoming proficient. When Marsh and the team leave without him, he hitches a ride with another celebrated paleontologist, Marsh’s bitter rival, Edward Cope. Despite warnings about Indian activity, into the Judith badlands they go. It’s a harrowing trip: they weather everything from stampeding buffalo to back-breaking work, but it proves to be worth it after they discover the teeth of what looks to be a giant dinosaur, and it could be the discovery of the century if they can only get them back home safely. When the team gets separated while transporting the bones, Johnson finds himself in Deadwood and must find a way to get the bones home—and stay alive doing it. The manuscript for this novel was discovered in Crichton’s (Pirate Latitudes, 2009, etc.) archives by his wife, Sherri, and predates Jurassic Park (1990), but if readers are looking for the same experience, they may be disappointed: it’s strictly formulaic stuff. Famous folk like the Earp brothers make appearances, and Cope and Marsh, and the feud between them, were very real, although Johnson is the author’s own creation. Crichton takes a sympathetic view of American Indians and their plight, and his appreciation of the American West, and its harsh beauty, is obvious.
Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days of American paleontology.Pub Date: May 23, 2017
ISBN: 978-0-06-247335-6
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: March 6, 2017
Kirkus Reviews Issue: March 15, 2017
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