by Elliot Ackerman ‧ RELEASE DATE: May 23, 2023
A novel of ideas in an age of opinions.
A novel of alternate history, life everlasting, and American democracy in peril.
In this version of the recent past, President Al Gore has assumed office after a perjury conviction drove Bill Clinton from the White House, and he has his hands full in a sharply divided and polarized country. First-person narrator Martin Neumann is a historian and college professor, on leave to write his next book, “a study of postbellum attitudes on the Civil War...and what the historian Shelby Foote termed ‘the great compromise,’ a cultural reconciliation between North and South that followed those blood-soaked years.” Foote's interpretation has “fallen from favor,” Neumann’s department chair tells him. Ackerman wants to explore whether nuance and compromise are possible where others see black and white, right and wrong. His narrator has “become obsessed with the role of compromise in the sustainment of American life,” a notion that has fallen from favor as polarized opinions became louder and more rigid. Recently divorced, he's also obsessed with his own alternative histories of what might have been. He's spending his sabbatical on an estate with the ominous name that gives the novel its title, where his landlord is the legendary Robert Ableson, a legal lion and champion of liberal causes, now retired and in his 90s. And very spry, for reasons the novel will reveal but signals in its very first sentence, informing the reader that “resurrection, a new life, had become a scientific possibility.” In 2004, when the novel opens, there are all sorts of further complications to the context—Gore plans to pardon Clinton, statues of the Confederacy are sacrificed to historical revisionism, conservatives want to shut down scientific progress. The historian and his landlord both find that their perspectives and attitudes, once perfectly acceptable, now put them on the wrong side of history. The narrator seems to carry the weight of the world on his shoulders, or at least the future of democracy as we know it.
A novel of ideas in an age of opinions.Pub Date: May 23, 2023
ISBN: 9780593321621
Page Count: 256
Publisher: Knopf
Review Posted Online: March 10, 2023
Kirkus Reviews Issue: April 1, 2023
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by Richard Wright ‧ RELEASE DATE: April 20, 2021
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
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BOOK TO SCREEN
by Mizuki Tsujimura ; translated by Yuki Tejima ‧ RELEASE DATE: Aug. 26, 2025
A touching novel about loss with a magical and mystical flourish.
A young man helps the living and dead meet one last time under the full moon.
Japanese bestseller Tsujimura’s quiet novel follows a mysterious teenager known as the go-between, who can set up meetings between the living and the dead. An introverted woman wants to meet the television star with whom she has a parasocial relationship. A cynical eldest son hopes to visit his mother about their family business. A devastated high schooler fears she is responsible for her friend’s tragic death. And, finally, a middle-aged workaholic finally feels ready to find out if his fiancée, who disappeared seven years ago, is dead. Each character has a uniquely personal reason for seeking out the deceased, including closure and forgiveness, as well as selfishness and fear. Imbued with magic and the perfect amount of gravitas, there are many rules around these meetings: Only the living can make requests and they can only have one meeting per lifetime. Additionally, the dead can deny a meeting—and, most importantly, once the dead person has met with a living person, they will be gone forever. With secrets shared, confessions made, and regrets cemented, these meetings lead to joy and sorrow in equal measure. In the final chapter, all of these visits—and their importance in the go-between’s life—begin to gracefully converge. As we learn the go-between’s identity, we watch him struggle with the magnitude and gravity of his work. At one point, he asks: “When a life was lost, who did it belong to? What were those left behind meant to do with the incomprehensible, inescapable loss?” Though the story can be repetitive, Tsujimura raises poignant and powerful questions about what the living owe not only the dead, but each other; and how we make peace with others and ourselves in the wake of overwhelming grief.
A touching novel about loss with a magical and mystical flourish.Pub Date: Aug. 26, 2025
ISBN: 9781668099834
Page Count: 272
Publisher: Scribner
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
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