A damning examination of violence in Black America and a call for intervention that is long overdue.
A deep exploration of why Black Americans are disproportionately impacted by violence and what can be done about it.
There’s more intentional violence in the U.S. than in any other advanced industrial nation. Of that violence, African Americans are victimized disproportionate to their share of the population. This is true across age and gender; among the poor and middle classes; in the street and inside homes. Fatal or nonfatal violence, committed with guns, knives, or fists, the story remains the same, and solutions to this problem are within reach. Criminologist Currie documents our “national failure” to take action and address the root causes of the violence in Black communities. The result of this systemic failure is a “public health crisis of devastating proportions.” Currie painstakingly outlines the dimensions of the problem and examines how violence not only affects the victims, but also negatively impacts the physical and mental well-being of the larger community, putting them at an extreme social and economic disadvantage, which fuels the cycle of violence. “Ending the plague of violence” requires a fundamental change in the social and economic conditions within impacted communities. The author preemptively defends against victim-blaming discourse about “black-on-black crime” by acknowledging the anxiety around discussing these issues for fear of playing into stereotypes about Black people and crime, stressing that “the racial disparity in violence is not a symptom of community failure: it is a symptom of social injustice. And though that injustice is long-standing, it is also both preventable and reversible.” These communities have been rendered more vulnerable due to “enduring discrimination,” extreme poverty, and external indifference. Meticulously researched and densely packed with stats and studies, Currie’s book paints a heartbreaking picture, but it also makes an urgent case for bold measures to turn the tide in Black communities.
A damning examination of violence in Black America and a call for intervention that is long overdue.Pub Date: Sept. 15, 2020
ISBN: 978-1-250-76993-0
Page Count: 288
Publisher: Metropolitan/Henry Holt
Review Posted Online: June 19, 2020
Kirkus Reviews Issue: July 15, 2020
An exquisitely original celebration of American Blackness.
A potent series of “notes” paints a multidimensional picture of Blackness in America.
Throughout the book, which mixes memoir, history, literary theory, and art, Sharpe—the chair of Black studies at York University in Toronto and author of the acclaimed book In the Wake: On Blackness and Being—writes about everything from her family history to the everyday trauma of American racism. Although most of the notes feature the author’s original writing, she also includes materials like photographs, copies of letters she received, responses to a Twitter-based crowdsourcing request, and definitions of terms collected from colleagues and friends (“preliminary entries toward a dictionary of untranslatable blackness”). These diverse pieces coalesce into a multifaceted examination of the ways in which the White gaze distorts Blackness and perpetuates racist violence. Sharpe’s critique is not limited to White individuals, however. She includes, for example, a disappointing encounter with a fellow Black female scholar as well as critical analysis of Barack Obama’s choice to sing “Amazing Grace” at the funeral of the Rev. Clementa Pinckney, who was killed in a hate crime at the Mother Emmanuel AME Church in Charleston, South Carolina. With distinct lyricism and a firm but tender tone, Sharpe executes every element of this book flawlessly. Most impressive is the collagelike structure, which seamlessly moves among an extraordinary variety of forms and topics. For example, a photograph of the author’s mother in a Halloween costume transitions easily into an introduction to Roland Barthes’ work Camera Lucida, which then connects just as smoothly to a memory of watching a White visitor struggle with the reality presented by the Legacy Museum in Montgomery, Alabama. “Something about this encounter, something about seeing her struggle…feels appropriate to the weight of this history,” writes the author. It is a testament to Sharpe’s artistry that this incredibly complex text flows so naturally.
An exquisitely original celebration of American Blackness.Pub Date: April 25, 2023
ISBN: 9780374604486
Page Count: 392
Publisher: Farrar, Straus and Giroux
Review Posted Online: Jan. 18, 2023
Kirkus Reviews Issue: Feb. 15, 2023
An intriguing but uneven family memoir and travelogue.
An author’s trip to Venice takes a distinctly Borgesian turn.
In November 2020, soccer club Venizia F.C. offered Nigerian American author Madu a writing residency as part of its plan “to turn the team into a global entity of fashion, culture, and sports.” Flying to Venice for the fellowship, he felt guilty about leaving his immigrant parents, who were shocked to learn upon moving to the U.S. years earlier that their Nigerian teaching certifications were invalid, forcing his father to work as a stocking clerk at Rite Aid to support the family. Madu’s experiences in Venice are incidental to what is primarily a story about his family, especially his strained relationship with his father, who was disappointed with many of his son’s choices. Unfortunately, the author’s seeming disinterest in Venice renders much of the narrative colorless. He says the trip across the Ponte della Libertà bridge was “magical,” but nothing he describes—the “endless water on both sides,” the nearby seagulls—is particularly remarkable. Little in the text conveys a sense of place or the unique character of his surroundings. Madu is at his best when he focuses on family dynamics and his observations that, in the largely deserted city, “I was one of the few Black people around.” He cites Borges, giving special note to the author’s “The House of Asterion,” in which the minotaur “explains his situation as a creature and as a creature within the labyrinth” of multiple mirrors. This notion leads to the Borgesian turn in the book’s second half, when, in an extended sequence, Madu imagines himself transformed into a minotaur, with “the head of a bull” and his body “larger, thicker, powerful but also cumbersome.” It’s an engaging passage, although stylistically out of keeping with much of what has come before.
An intriguing but uneven family memoir and travelogue.Pub Date: April 2, 2024
ISBN: 9781953368669
Page Count: 144
Publisher: Belt Publishing
Review Posted Online: Nov. 17, 2023
Kirkus Reviews Issue: Dec. 15, 2023
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