A book that merits a place on ethnic studies—and American history—curricula.
A survey of ethnic relations in America that links past and present injustices.
“To understand the current efforts to disenfranchise likely Democratic voters,” writes Cose, “you have to understand what happened at the end of Reconstruction.” The end of Reconstruction returned White conservative Southerners to power and introduced an era of Jim Crow laws that seem all too current today. At stake, notes the author, is the vision of an American nation made up of equals as opposed to one in which only some Americans are entitled to the benefits of citizenship, including voting rights. Cose begins at Jamestown and the introduction of African slavery to the American Colonies, showing how the enslavement of Blacks and the removal of Native Americans from their homelands were conjoined efforts to secure White supremacy. Every state was once complicit, given the requirements of such laws as the Fugitive Slave Act, which Cose examines through the lens of the real-life case that inspired Toni Morrison’s novel Beloved—a book, he reminds us, that figured in a campaign ad for Virginia Gov. Glenn Youngkin as one to be banned in public schools. In many cases, Blacks enslaved before the Civil War became enslaved in practice, if not in name, afterward even as immigration officials tried to sort out other racial classifications. One such official, reported the Washington Post, held that “Syrians and their racial kindred…were yellow, not white, and that they were barred therefore from naturalization.” In the face of civil rights advances after World War II, racism is growing today through social media and dog whistlers such as Donald Trump, whom Cose links to a eugenicist from the previous century who complained that Latin American countries “furnish very undesirable immigrants.” The author ends with a well-reasoned defense for teaching this history against those who “doggedly refuse to acknowledge how our past affects our present.”
A book that merits a place on ethnic studies—and American history—curricula.Pub Date: July 12, 2022
ISBN: 978-0-06-307244-2
Page Count: 256
Publisher: Amistad/HarperCollins
Review Posted Online: May 4, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
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