by El.T. Fullah ‧ RELEASE DATE: N/A
An unforgettable cluster of entertaining, topical, and hard-hitting stories.
This debut collection of flash fiction satirizes politics, pop culture, and self-expressionism.
The title of “Beware of the Charlatan,” an early entry in this book, gets straight to the point. The Charlatan is a leader who proclaims that Pi is simply 3.14, not an irrational number; anyone who disagrees with that or whatever he preaches is demonically possessed. Several characters in these 19 stories hold similar positions of power over others. These minityrants include politicians and a domineering village head. In “The Empathy Development Experiment,” Dr. Singh subjugates his test subject—a convicted murderer. Fullah ridicules attention hounds on social media as well as those who idolize status symbols or other humans. The author also tackles serious topics, like misogyny and racial and sexual discrimination. For example, “The Politician,” written in response to the Supreme Court’s overturning Roe v. Wade, follows a family man whose plan to outlaw abortion has a disturbing motive. Like most satire, these condensed tales revel in dark humor, and many take unsettling turns that end in violence and/or death. But there are touches of additional genres as well. The SF “Across the Universe,” for one, showcases a NASA astronomer trying to form an emotional connection with newly contacted aliens. “The Anti-Incubus” plays like a horror story, featuring a diabolical presence that seemingly invades dreams.
Many of Fullah’s stories abandon subtlety; the villainous source of corruption tends to be an amoral politician or a narcissistic celebrity. In the case of “A Village With Only Men,” the narrator opens blatantly with: “I hated women. They had ruined my life. A misogynist? Incel? I gladly accepted those labels.” The author doesn’t often veil the satirical target; in “The American Dream,” Vlad’s scheme against citizens in a New England town begins with using a local physician to create a host of oxycodone addicts. Nevertheless, certain stories take a more understated approach. In “Life in Blue,” for example, Penelope can’t see the color blue and strives to see what others can; it’s a cutting, critical assessment on conformity and waning individuality. The collection’s most discernible theme is, unexpectedly, isolation, either by choice or circumstances. In one tale, a popular violinist further separates himself from his starry-eyed fans by convincing them to turn on one another; in another tale, Lyla, who’s grown weary of adjusting her “multiple identities” to suit others, prefers solitude. A few stories might have been even better if they were slightly longer. That’s certainly true for the hilarious “Ancestors,” in which the afterlife may not be all it’s purported to be. The narrator spends posthumous days in the cosmos with his late ancestors, people of clashing cultures and personalities whose perpetually annoying traits could spark more enjoyable scenes.
An unforgettable cluster of entertaining, topical, and hard-hitting stories.Pub Date: N/A
ISBN: N/A
Page Count: 26
Publisher: Manuscript
Review Posted Online: Nov. 9, 2022
Review Program: Kirkus Indie
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by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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by Ann Patchett ‧ RELEASE DATE: June 2, 2026
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
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New York Times Bestseller
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
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