edited by Elyse Cheney & Wendy Hubbert ‧ RELEASE DATE: Dec. 1, 1996
Some fine work here, mostly new, utilizing sleeplessness as a theme or starting point and comprising, the editors note, ``a catalog of experiences and a way of understanding a massive cultural phenomenon.'' While labeling insomnia a ``cultural phenomenon'' may overstate the case, literary agent Cheney and book editor Hubbert do have a point when they claim that the malady ``is so widespread among writers that it seems almost a prerequisite.'' They cite the well-known insomnia of such figures as Mark Twain, Vladimir Nabokov, and the Brontâs, although none of them are represented in this collection of essays and stories. F. Scott Fitzgerald's ``Sleeping and Waking'' (from The Crack-Up), one of the few older pieces, is as powerful now as it was in the 1930s. In it the alcoholic writer traces his grinding insomnia ``to a single mosquito'' on the 20th floor of a Manhattan hotel. His drunken ``dark hours'' are in sharp contrast to the punchy nights when the novelist Annie Proulx cannot sleep: She reads, writes, even sings (loudly). Mary Morris's story, ``Animal Rescue,'' finds a former city dweller disturbed by the pre-dawn noises of suburbia, most prominently the crying of a frightened cat. A couple of pieces offer unusual variations on the theme: Lynne Sharon Schwartz's deft tale ``Acquainted with the Night,'' about a man who lies awake cataloging ``all the bad things he had ever done,'' and Paul West's viciously funny story, ``Buying the Farm,'' featuring two airline pilots who put each other to sleep by reading ``accident reports . . . somehow banishing the ghost of what might have been by insisting on the worst.'' Lynne Tillman chips in with an effective, depressing story of a woman who finally confronts a neighbor whose auto repairs at 5 a.m. serve as a perfect image of the seething aggression behind city life. A good idea and a good mix of old and new, quirky and standard, funny and moving. Worth staying up for.
Pub Date: Dec. 1, 1996
ISBN: 0-385-47771-6
Page Count: 304
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1996
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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