An elegy with momentum and teeth.
A woman returns home in the wake of her father’s death.
Mina is nearly 30, living in London in the slipstream of her best friend and flatmate, a fastidiously perfect “digital activist” named Liz. When her father dies, a trip home to Italy for his funeral becomes an extended stay as Mina and her sister, Aisha, work to preserve the bar, Tangerinn, that was their father’s livelihood and the epicenter of immigrant life in their coastal town. The two sisters were privy to different sides of their father, and their lives have each been shaped by the pieces of himself he shared with them. Born in Morocco, he came of age in the midst of the Western Sahara War and participated in the bread riots of 1981. He ached to leave home, and eventually he did. In a narrative that zags between past and present, Mina traces the similarities between herself and her elusive father. Hunger is a pervasive theme, both the literal hunger of her father’s childhood and the insatiable appetite for a meaningful life that drives Mina away from home and back again. The voice is a propulsive second person, a direct address to Mina’s late father that, for long sections, reads as first person. Anechoum’s prose, in Rand’s translation, is unassuming yet exquisitely detailed, with keen observations falling thick and fast throughout the novel. If there is a weak point, it’s in the depiction of Liz and her hyper-relevant coterie of hip Londoners: Some people may be that relentlessly obnoxious, but the pitch of Liz’s absurdity amounts to caricature, and caricature isn’t necessary when insights like this abound: “We were wild girls, but it wasn’t something to be proud of. Perhaps this is what Liz sensed and envied in me, she who worked so hard to imitate the freedom that comes from neglect.”
An elegy with momentum and teeth.Pub Date: Jan. 20, 2026
ISBN: 9798889661603
Page Count: 256
Publisher: Europa Editions
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
Hokey plot, good fun.
A business executive becomes an unjustly wanted man.
Walter Nash attends his estranged father Tiberius’ funeral, where Ty’s Army buddy, Shock, rips into him for not being the kind of man the Vietnam vet Ty was. Instead, Nash is the successful head of acquisitions for Sybaritic Investments, where he earns a handsome paycheck that supports his wife, Judith, and his teenage daughter, Maggie. An FBI agent approaches Nash after the funeral and asks him to be a mole in his company, because the feds consider chief executive Rhett Temple “a criminal consorting with some very dangerous people.” It’s “a chance to be a hero,” the agent says, while admitting that Nash’s personal and financial risks are immense. Indeed, readers soon find Temple and a cohort standing over a fresh corpse and wondering what to do with it. Temple is not an especially talented executive, and he frets that his hated father, the chairman of the board, will eventually replace him with Nash. (Father-son relationships are not glorified in this tale.) Temple is cartoonishly rotten. He answers to a mysterious woman in Asia, whom he rightly fears. He kills. He beds various women including Judith, whom he tries to turn against Nash. The story’s dramatic turn follows Maggie’s kidnapping, where Nash is wrongly accused. Believing Nash’s innocence, Shock helps him change completely with intense exercise, bulking up and tattooing his body, and learning how to fight and kill. Eventually he looks nothing like the dweeb who’d once taken up tennis instead of football, much to Ty’s undying disgust. Finding the victim and the kidnappers becomes his sole mission. As a child watching his father hunt, Nash could never have killed a living thing. But with his old life over—now he will kill, and he will take any risks necessary. His transformation is implausible, though at least he’s not green like the Incredible Hulk. Loose ends abound by the end as he ignores a plea to “not get on that damn plane,” so a sequel is a necessity.
Hokey plot, good fun.Pub Date: Nov. 11, 2025
ISBN: 9781538757987
Page Count: 448
Publisher: Grand Central Publishing
Review Posted Online: Aug. 29, 2025
Kirkus Reviews Issue: Oct. 1, 2025
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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