Lord successfully adapts classic elements of adult romance novels into a love story gentle enough for younger readers.
Reagan joins her best friend Delilah’s summer concert tour to escape some poor decisions and break some bad habits, finding romance and complication instead.
When Reagan finds herself attracted to soulful musician Matt, romance seems inevitable—but the record company has hired him to pose as Delilah’s wholesome boyfriend. Reagan and Matt are both good-hearted characters suffering from emotional wounds. A victim of dating violence (described dramatically but not graphically in flashback), Reagan finds curbing her reckless impulses surprisingly difficult. Matt is reeling from his mother’s death and struggling to define himself as a person and artist after the demise of his famous band. Luckily, both have the classic supportive friend in Delilah, who shores them up emotionally and encourages their romance—even as she struggles with the pressures of her increasing fame. These characters are predictable, and the happily-ever-after ending is really never in doubt, but romance fans will undoubtedly still enjoy the developing relationships. Lord also deserves credit for plausibly explaining the lack of adult supervision: Their chaperone, Delilah’s 26-year-old aunt, is distracted by her involvement with a new tour boyfriend. Even without adult supervision, Reagan and Matt’s physical relationship is passionate but, refreshingly, restrained.
Lord successfully adapts classic elements of adult romance novels into a love story gentle enough for younger readers. (Romance. 12-18)Pub Date: April 19, 2014
ISBN: 978-0-8027-3610-9
Page Count: 336
Publisher: Walker
Review Posted Online: Feb. 11, 2014
Kirkus Reviews Issue: March 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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