The time-honored post-breakup trip—“Eat, Shop, Party”—has life-changing results you needn’t believe to enjoy.
The suicide of a friend creates a lifelong bond among three college classmates.
The latest from the author of Something Borrowed opens at the University of Virginia, where four freshmen are about to find the connection that will sustain them through the next four years. They are Lainey, an aspiring actor from California; Tyson, a Black man with law in his future; Summer, a star scholar and varsity athlete; and Hannah, whose conservative Southern mother is going to be very disappointed that she’d rather hang with these three than pledge a sorority. Shortly before their graduation, the unthinkable happens: For reasons no one will ever fully understand, Summer takes her own life. This leads to the eponymous pact: The trio of survivors agree never to take “drastic steps” before reaching out. They are in their early 30s when the first reach-out occurs: Hannah has walked in on her fiance screwing the local Instagram influencer in the bed she just bought for their future marital home. Lainey, now a Hollywood actor on her way up, drops everything and jets in from California to extricate Hannah and exact revenge. Tyson shows up, too, though he has to quit his job and ditch his girlfriend to get there. Once that mess is cleaned up, the three leave on a fantasy getaway on which each gets to pick a stop. The rest of the story unfolds mostly on Capri, always a desirable setting in fiction, where our protagonists hit places like “that beach club [from] TikTok,” La Fontelina. (Do Google it.) Though shocking life changes befall each member of the trio during their Italian sojourn, none are much of a surprise to the reader, who will likely notice the exact moment each plot twist became inevitable. Be quiet and drink your Aperol Spritz.
The time-honored post-breakup trip—“Eat, Shop, Party”—has life-changing results you needn’t believe to enjoy.Pub Date: July 9, 2024
ISBN: 9780593600290
Page Count: 352
Publisher: Ballantine
Review Posted Online: April 20, 2024
Kirkus Reviews Issue: May 15, 2024
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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