by Emily Hawbaker & The NEED Project ‧ RELEASE DATE: July 1, 2017
Fun and enlightenment for young experimenters working alone, with partners, or in groups.
An array of simple demonstrations designed to give budding eco-activists an understanding of how energy is stored, transferred, used responsibly, and recycled.
Developed by the National Energy Education Development Project and demonstrated here by a cast of dozens of young children—roughly evenly split between girls and boys but the substantial majority presenting as white—the low-cost projects range from measuring shadows and charting temperature changes to constructing a solar cooker in a pizza box, creating an inventory of home-appliance energy needs, and competitively “mining” chocolate chips from cookies, then trying to reconstruct the cookies. Each entry comes with a materials list, clear, step-by-step directions with color photos, safety and potential-mess alerts, and difficulty ratings that range from “No Sweat!” (meaning doable by one person) to “Grab a Crew Member!”—for group activities, it’s “All Hands On Deck!” Each concludes with a nontechnical explanation of the physical principles involved, and many feature suggestions for further tinkering with materials or variables.
Fun and enlightenment for young experimenters working alone, with partners, or in groups. (glossary, index, websites) (Nonfiction. 6-10)Pub Date: July 1, 2017
ISBN: 978-1-63159-250-8
Page Count: 147
Publisher: Quarto
Review Posted Online: April 25, 2017
Kirkus Reviews Issue: May 15, 2017
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by Patricia Valdez ; illustrated by Felicita Sala ‧ RELEASE DATE: March 13, 2018
This view into Procter’s brief life connects her early passion for reptiles with her innovative career combining scientific...
Valdez introduces Joan Procter, whose lifelong love of reptiles yielded a career at London’s Natural History Museum and the London Zoo.
Avid for reptiles from childhood, Joan received a crocodile for her 16th birthday. First assisting, then succeeding the museum’s curator of reptiles, Joan surveyed the collections, published papers, and made models for exhibits. Her designs for the zoo’s reptile house incorporated innovative lighting and heating as well as plants and artwork evoking the reptiles’ habitats. Joan’s reputation soared with the arrival of two 7-foot-long Komodo dragons, coinciding with the reptile house’s opening. Presenting a paper at the Zoological Society, Joan brought along one of them, Sumbawa, who ate a pigeon whole and strolled among attendees. Valdez’s narrative alludes to Procter’s poor health obliquely: pet reptiles cheered her “on the days Joan was too sick to attend school,” and a later spread depicts her “riding through the zoo” in a wheelchair. (An appended note explains that a “chronic intestinal illness” led to Joan’s death at just 34.) Sala portrays stylized reptiles and 1920s-era British clothing. People’s skin tones range from stark white to various tans and browns. Indeed, although she was white, Joan’s skin varies throughout, sometimes appearing white and pink and others times various shades of beige.
This view into Procter’s brief life connects her early passion for reptiles with her innovative career combining scientific research, practice, art, and design. (author’s note, bibliography of primary sources, photographs) (Picture book/biography. 6-8)Pub Date: March 13, 2018
ISBN: 978-0-399-55725-5
Page Count: 40
Publisher: Knopf
Review Posted Online: Nov. 26, 2017
Kirkus Reviews Issue: Dec. 15, 2017
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by Markus Motum ; illustrated by Markus Motum ‧ RELEASE DATE: March 13, 2018
The personification adds an appealing angle to this venturesome visit to Earth’s closest planetary neighbor.
The latest and greatest of the Mars rovers tells its tale and explains its purpose.
Fans of the eponymous robot star of the film WALL-E will see a kindred spirit in this chronicle’s narrator as it wheels its lonely way over dimly lit Martian barrens, glassy camera-eye held jauntily above its buggy-shaped chassis. Emphasizing flat, geometric shapes to give his big scenes a retro look, Motum begins with stylized views of the red planet, then briefly summarizes Neil Armstrong’s walk on the moon’s surface before showing Curiosity under construction, then in schematic fashion depicts each stage of the rover’s launch, long voyage, and final descent. “Touchdown confirmed. We’re safe on Mars!” (An actual quote, though from a NASA official, not the fictive narrator.) The oversized trim accommodates sweeping views of space, panoramas of both the control room and Mars, and a 90-degree turn to dramatize liftoff. The narrative proceeds in a methodical, matter-of-fact way to lay out details of the rover’s design and assembly—by, in the art at least, a carefully diverse crew of NASA workers—along with its space journey and what it has been up to since its 2012 landing. Suggesting that its findings are likely to provide as many questions as answers, Curiosity concludes with the thought that its wheel tracks may one day be joined by footprints. Here’s hoping.
The personification adds an appealing angle to this venturesome visit to Earth’s closest planetary neighbor. (timeline, glossary, note on other Mars rovers) (Informational picture book. 7-10)Pub Date: March 13, 2018
ISBN: 978-0-7636-9504-0
Page Count: 56
Publisher: Candlewick
Review Posted Online: Nov. 21, 2017
Kirkus Reviews Issue: Dec. 15, 2017
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by Markus Motum ; illustrated by Markus Motum
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