Fantastic in both senses of the word.
A girl struggles to find her sister’s lost shadow, and her own, in this debut.
On the morning of Gail’s 12th birthday, her shadow leaves her, rippling away outdoors. Gail isn’t particularly concerned—between her father’s leaving two months ago and her older sister’s subsequent depression, she has bigger things to worry about. But when Kay’s shadow disappears, too, Gail sets out in pursuit of it over the remote, forsaken end of the Scottish island where she lives. Gail’s afraid to swim without Kay—more than that, she can’t be herself with Kay. And Kay can’t be herself without her shadow. Following the shadow into a vast mazelike cave, she meets chatterbox Mhirran and menacing Francis, a pair of siblings also hunting shadows; a gang of mussel poachers; a wildcat and whales; and the living embodiments of storms. Fluent and sophisticated storytelling combines with precise sensory detail and a tangible sense of place; characters both human and non- are real, multidimensional, and sympathetic. Even the shadows of petrels and the rocks themselves come to life. Ilett blends magic and reality so deftly that one can be mistaken for the other; both have a sharp, briny tang of the sea. Gail’s ultimate triumph feels real and hard-earned. Gail, Kay, and their mum have brown skin; Gaelic-speaking Mhirran and Francis are pale.
Fantastic in both senses of the word. (Fantasy. 8-14)Pub Date: Feb. 11, 2020
ISBN: 978-1-78250-607-2
Page Count: 224
Publisher: Kelpies
Review Posted Online: Nov. 9, 2019
Kirkus Reviews Issue: Dec. 1, 2019
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
BOOK REVIEW
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BOOK TO SCREEN
Quirky and imaginative—postmodern storytelling at its best.
Friendly curiosity and a gift for naming earn a polar bear an assortment of (mostly animal) friends, adventures, mishaps, and discoveries.
Arriving at a northern ocean, Duane spies a shipwreck. Swimming out to investigate, he meets its lone occupant, C.C., a learned snowy owl whose noble goal is acquiring knowledge to apply “toward the benefit of all.” Informing Duane that he’s a polar bear, she points out a nearby cave that might suit him—it even has a mattress. Adding furnishings from the wreck—the grandfather clock’s handless, but who needs to tell time when it’s always now?—he meets a self-involved musk ox, entranced by his own reflection, who’s delighted when Duane names him “Handsome.” As he comes to understand, then appreciate their considerable diversity, Duane brings out the best in his new friends. C.C., who has difficulty reading emotions and dislikes being touched, evokes the autism spectrum. Magic, a bouncy, impulsive arctic fox, manifests ADHD. Major Puff, whose proud puffin ancestry involves courageous retreats from danger, finds a perfect companion in Twitch, a risk-aware, common-sensical hare. As illustrated, Sun Girl, a human child, appears vaguely Native, and Squint, a painter, white, but they’re sui generis: The Canadian author avoids referencing human culture. The art conveys warmth in an icy setting; animal characters suggest beloved stuffed toys, gently reinforcing the message that friendship founded on tolerance breeds comfort and safety.
Quirky and imaginative—postmodern storytelling at its best. (Animal fantasy. 8-12)Pub Date: Sept. 10, 2019
ISBN: 978-1-5344-3341-0
Page Count: 272
Publisher: Atheneum
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
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