A juicy mystery filled with gossip—and music you can almost hear.
While a singer-songwriter is striving to produce an authentic-sounding album, her best friend from high school is found at the bottom of a lake—dredging up the tragedy behind the music.
Dylan Read is a mega-selling, Grammy Award–winning singer-songwriter whose country roots have evolved into a sort of “bedroom pop” that fans love for its personal and—although she doesn’t like the word—confessional nature. But despite her best efforts, the media accuse her of being fake. In a news article about the cold case of a girl who went missing 15 years ago, the headline gives the detail that Kelsey Copestenke was a classmate of Dylan’s, seemingly milking the flimsy connection between the two for the sake of getting more page views. But what Dylan hasn’t told the press—or even her publicist—is that she owes her career to Kelsey. Beneath the veneer of her success are the people who know Dylan’s secrets: the high school classmates; Kelsey’s brother, Matt; and the boyfriend she hides from the world for fear it’ll wreck their relationship and her career. But one secret is a mystery: what happened to Kelsey. As Dylan goes through each album of her catalog, she flashes back to her high school years in upstate New York with her lost friend, who was forming a musical duo with Dylan when she went missing. “Country music is about relatability,” Dylan says. “Just three chords and the truth, as the saying goes. Pop, on the other hand, traffics in fantasy.” In the story, there’s a balance of both. The flashbacks are entertaining and filled with cringey high school drama. On the less relatable end, Dylan still frets about what the press says about her. But what makes her most interesting is Layden’s respect for the craft of making music, from Dylan’s “fear that tortilla chips might scratch my vocal cords” to Kelsey’s early guitar lessons: “We’re gonna learn four chords and six strumming patterns and you’re gonna have to trust me when I tell you that’s all you need to know.”
A juicy mystery filled with gossip—and music you can almost hear.Pub Date: Sept. 10, 2024
ISBN: 9780063315099
Page Count: 400
Publisher: Mariner Books
Review Posted Online: April 20, 2024
Kirkus Reviews Issue: May 15, 2024
BOOK REVIEW
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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