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AURORA’S ANGEL

An impressive and confident tale of two women finding love in a realm of shape-shifters.

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In this fantasy debut, two shape-shifters form a bond that may change their world.

As Noon’s sprawling novel opens, readers find a mysterious woman named Aurora skulking through a mine that’s crawling with poisonous spiders. She’s hunting for valuable ethian crystals when she’s brought up short by the last thing she expects to encounter in such a dark, forbidding place: a beautiful song. Tracing the tune to its source, Aurora is enraged to find a cutter’s den: “A place of unimaginable horror, where shapeshifters were imprisoned while their bodies were systematically harvested for the high price their parts fetched on the black market.” Aurora lives in Nordarra, a region populated by many different, scattered clans of shape-shifters—mer-people, tiger-shifters, wolf-shifters, and avians, who can grow enormous wings out of their backs. These beings are presumably the descendants of the folks who came to Nordarra from the human world and were taught magic that allowed them to transform into shape-shifters. (Another theory is that those first human visitors were the servants of Nordarra’s original inhabitants and interbred with them.) In this realm, avians are frequently characterized as untrustworthy. It gives Aurora pause to discover that the song in the mine comes from a captive avian named Evie, but the two form a wary partnership. In exchange for Aurora’s dealing with the mine’s guards, Evie will fly them both to freedom. When Evie is injured and rendered temporarily flightless during their escape, the two are thrown into a close, earthbound struggle to survive—and to fulfill Aurora’s primal vow to track down all the parts of her father’s tiger form that were harvested by cutters years ago.

Noon handles the gradual unfolding of the story’s plots and subplots with a remarkably sure hand. Virtually none of debut novelists’ typical mistakes—clunky dialogue, incomplete concepts, and especially great blocks of undigested exposition—crop up in this book’s 500-plus pages. The political interplay of Nordarra’s various clans and factions is intelligently rendered as a backdrop for the tale’s central, most touching thread: Aurora’s and Evie’s (in reality, Evangeline Aquilar, oldest child of a powerful avian leader) gradually easing their personal and cultural barriers as their necessity-born friendship deepens into something more. The author has a straightforward, unadorned way of showing her characters clearly to readers, and it’s genuinely involving to watch Aurora overcome the lessons of her traumatic childhood in order to feel tender emotions again. The two women’s ongoing discovery of each other’s attributes is the story’s highlight. “You’re quite extraordinary and a little scary,” Aurora tells Evie at one point. “You’re like a kitten that looks all sweet and cuddly but you have sharp claws. Remind me never to cross you.” There are stretches in the narrative where Noon’s vivid personal revelation scenes almost overshadow the other pieces of the multifaceted plot structure, but these episodes are infrequent. The various levels of drama are usually kept in a balance that’s expertly maintained right through to the exciting (albeit, predictable) climactic scenes. The world of Nordarra—and the mechanics and psychology of shape-shifting—is drawn with an appealing intricacy that will make readers hope to return to this setting in future novels.

An impressive and confident tale of two women finding love in a realm of shape-shifters.

Pub Date: Jan. 1, 2020

ISBN: 978-0-473-50513-4

Page Count: 543

Publisher: Bluefire Books Ltd.

Review Posted Online: March 26, 2020

Kirkus Reviews Issue: June 1, 2020

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THE ANGEL OF THE CROWS

A Sherlock Holmes–esque novel that truly breaks the mold.

An alternate-world fantasy that adds a few welcome twists to the famous Holmes and Watson archetypes.

Addison’s novel begins with an injured army doctor returning to London from Afghanistan and taking up residence with an eccentric detective in a flat on Baker Street. Readers don’t have to be mystery aficionados to guess what’s going on here, but this is no ordinary take on Sherlock Holmes. Addison’s 1880s London is populated with werewolves, vampires, and angels alongside its serial killers and common thieves. The Watson figure, here called Dr. Doyle, turns into a hellhound at night due to a supernatural injury, which Doyle must keep secret or risk being punished for not having registered with the government as an occult creature. The Sherlock figure, here called Crow, is an angel who helps Scotland Yard (Lestrade is still Lestrade, as useless as ever) solve its trickiest cases. Recognizable Arthur Conan Doyle mysteries and characters have new life in this sturdily built fantasy universe, making it fun to read even such familiar tales. All the while, the detectives watch the papers for more news on the grisly Whitechapel murders, committed by the all-too-human Jack the Ripper. As Doyle and Crow explore London’s seedy occult underground, Addison doesn’t shy away from discussing the era’s racism. It would be a spoiler to be too specific, but what really makes this title stand out among a sea of Sherlock Holmes stories is its straightforward criticism of gender roles and the gender binary itself.

A Sherlock Holmes–esque novel that truly breaks the mold.

Pub Date: June 23, 2020

ISBN: 978-0-7653-8739-4

Page Count: 448

Publisher: Tor

Review Posted Online: March 28, 2020

Kirkus Reviews Issue: April 15, 2020

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THE ROT

From the Raven Rings series , Vol. 2

An absorbing book that sets the ground for a promising finale.

This sequel to Odin’s Child (2021), the second entry in an epic fantasy trilogy translated from the Norwegian, sees its characters facing even bigger challenges.

When Hirka crossed the gateway into the unknown with only her raven, Kuro, by her side, she hoped to finally find a place where she belonged. But after months stranded in the mightless human world of contemporary York, England, Hirka finds that there is a new threat to her life—and to the world she left behind. Back in Ym, Rime is the new Ravenbearer in a world with shattered religious and political foundations after the life-changing revelations of the previous book—but all Rime can think about is the promise he made Hirka that he would find her. Ultimately both Hirka and Rime come to realize that they stand at the cusp of a conflict 1,000 years in the making. Their continuing saga takes place within an intricate fantasy world that explores the history and mythology of Ym and introduces a connection to the human world in unexpected and intriguing ways. Despite repetitive beats, the series finds its rhythm with the introduction of new worldbuilding elements and fascinating characters while deftly showcasing its main characters’ ongoing tale of belonging, forgiveness, and sacrifice. The main characters are all White; a few secondary characters are dark-skinned.

An absorbing book that sets the ground for a promising finale. (glossary) (Fantasy. 16-adult)

Pub Date: Oct. 5, 2021

ISBN: 978-1-64690-001-5

Page Count: 512

Publisher: Arctis Books

Review Posted Online: Aug. 17, 2021

Kirkus Reviews Issue: Sept. 1, 2021

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