This Old MacDonald’s not much fun. E-I-E-I-O.
Snape and Steele give readers a modern twist.
Old MacDonald is a going-gray-around-the-temples beige-skinned man with a black husband and a beige-skinned baby. When his husband drives off in the morning, MacDonald is left in charge of the child with help from his pets—and eventually the entire barnyard, as with each stanza a new animal joins the action. Steele’s bright, cartoon-style illustrations sell the zaniness of a new dad’s day. They elevate the story as bipedal animals assist the harried dad with the increasing chaos, but they can’t save it. Snape’s word choice often fights the tempo of the song, and the few moments of alliteration may create tongue-twisters during read-alouds: “And for that baby he sang a song, / E-I-E-I-O. / With a boom-boom here, / And a crash-bang there, // Here’s a clap, there’s a whack, / Everywhere’s a raucous ruckus!” The constantly changing language—so different from the song’s patterning—makes it impossible for a child or a group of children to sing along. The joy of “Old MacDonald” is the call-and-response opportunity offered with each additional animal. What does a goat say again? In this version, adults may chuckle at the memory of the frantic early years, but children will feel frustrated that they have limited moments to join in the fun. It sinks some really good illustrations.
This Old MacDonald’s not much fun. E-I-E-I-O. (Picture book. 4-6)Pub Date: Nov. 19, 2019
ISBN: 978-1-250-30281-6
Page Count: 40
Publisher: Feiwel & Friends
Review Posted Online: Aug. 25, 2019
Kirkus Reviews Issue: Sept. 15, 2019
BOOK REVIEW
Too many bugs, figuratively.
Lucy, “the youngest member of a family of fireflies,” must overcome an irrational, moon-induced anxiety in order to leave her family tree trunk and glow.
The first six pages pull readers into a lush, beautiful world of nighttime: “When the sun has set, silence falls over the Big Forest, and all of the nighttime animals wake up.” Mixed media provide an enchanting forest background, with stylized flora and fauna eventually illuminated by a large, benign moon, because the night “doesn’t like to catch them by surprise.” Turning the page catches readers by surprise, though: the family of fireflies is decidedly comical and silly-looking. Similarly, the text moves from a lulling, magical cadence to a distinct shift in mood as the bugs ready themselves for their foray into the night: “They wave their bottoms in the air, wiggle their feelers, take a deep, deep breath, and sing, ‘Here we go, it’s time to glow!’ ” It’s an acceptable change, but more unevenness follows. Lucy’s excitement about finally joining the other bugs turns to “sobbing” two nights in a row. Instead of directly linking her behavior to understandable reactions of children to newness, the text undermines itself by making Lucy’s parents’ sweet reassurances impotent and using the grandmother’s scientific explanation of moonlight as an unnecessary metaphor. Further detracting from the story, the text becomes ever denser and more complex over the book’s short span.
Too many bugs, figuratively. (Picture book. 4-6)Pub Date: Nov. 10, 2015
ISBN: 978-84-16147-00-7
Page Count: 32
Publisher: Cuento de Luz
Review Posted Online: July 21, 2015
Kirkus Reviews Issue: Aug. 15, 2015
A sweet and unexpected addition to the waiting-for-baby shelf.
A big, yellow hound dog has small, wonderful dreams.
Emma’s dreams are doggily simple. Rendered in gray, they manifest above her contentedly slumbering form: “singing, dancing, rolling in grass, splashing in water, going for walks,” and eating. After she wakes and eats, she naps again, sprawled on her back, tummy distended, the very picture of canine bliss. Pages turn, with Cooper’s lyrical text focusing on Emma and her sensations: “The days went on, shifting and taking shape, and now there were times when her whole body felt strange, but there was no stopping the days.” A gently curving line of overlapping Emmas, rising, stretching, scratching, shifting, and resettling, underscores time’s march. Adult readers may be anxious at this point, fearing Emma’s impending death with the page turn—but no, it turns out Emma’s been literally full of wonders, and she gazes mildly at a puppy emerging from her own body. Then there they are, seven little Emmas, and they now embody her dreams. Cooper’s brushy, loose watercolors, outlined in swoops of ink, complement his Emma-focused text. She resides in a human home, but her owner appears only as tan-skinned hands extending from the margin to offer a bowl of food, caress her snout, or towel off a pup. In this way, Cooper invites readers into Emma’s interiority, allowing them to sit quietly and wonder with her.
A sweet and unexpected addition to the waiting-for-baby shelf. (Picture book. 4-6)Pub Date: April 2, 2024
ISBN: 9781250884763
Page Count: 40
Publisher: Roaring Brook Press
Review Posted Online: Jan. 20, 2024
Kirkus Reviews Issue: Feb. 15, 2024
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