by Emily Tamkin ‧ RELEASE DATE: Oct. 18, 2022
An engaging gathering of voices demonstrate “the one truth of American Jewish identity: it can never be pinned down.”
An examination of the “debate over who gets to speak for American Jews and who gets to claim American Jewishness.”
Journalist Tamkin, author of The Influence of Soros, explores a wide variety of questions about the Jewish faith and identity and the murky concept of so-called “good” and “bad” Jews. Is the distinction tied to Zionism and Israel? Should Jews be defined by religious or political ties, or perhaps even racial or ethnic? Do the Ashkenazi Jews have a more “authentic” Jewish experience than Sephardic Jews, who first came to America in the 17th century? Do good Jews vote for progressive Democrats or vehemently pro-Israel conservatives? “I would argue that the fact that we are in a time of change and conflict and challenge has thrown many American Jews off-balance,” writes the author. “Things are not as they were. But that, in turn, means there is an opportunity to think about what things could be.” Tamkin begins her “roughly hundred-year history of Jewish American politics, culture, identities, and arguments” with the massive Jewish immigration to America in the 1920s, after which Jews started to assimilate into the mainstream. The author explores a variety of stereotypes about Jewishness and immigration, and she interweaves her own relatives’ history into the national story. When Joseph McCarthy was wreaking havoc across the nation, Jews were targeted disproportionately, especially in Hollywood. Tamkin then moves through the civil rights era; the rise of the neoconservative movement, epitomized by Commentary magazine and its outspoken editor, Norman Podheretz; and the wild financial excesses of the 1980s, represented by Michael Milken and Bernie Madoff, among others, who played into antisemitic stereotypes. Though not a rigorous, scholarly treatment of the subject, the book ably reflects the author’s experience as a skilled journalist and storyteller.
An engaging gathering of voices demonstrate “the one truth of American Jewish identity: it can never be pinned down.”Pub Date: Oct. 18, 2022
ISBN: 978-0-06-307401-9
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 22, 2022
Kirkus Reviews Issue: Sept. 15, 2022
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by Emily Tamkin
by Judith Butler ‧ RELEASE DATE: March 19, 2024
A master class in how gender has been weaponized in support of conservative values and authoritarian regimes.
A deeply informed critique of the malicious initiatives currently using gender as a political tool to arouse fear and strengthen political and religious institutions.
In their latest book, following The Force of Nonviolence, Butler, the noted philosopher and gender studies scholar, documents and debunks the anti-gender ideology of the right, the core principle of which is that male and female are natural categories whose recognition is essential for the survival of the family, nations, and patriarchal order. Its proponents reject “sex” as a malleable category infused with prior political and cultural understandings. By turning gender into a “phantasmatic scene,” they enable those in positions of authority to deflect attention from such world-destroying forces as war, predatory capitalism, and climate change. Butler explores the ideology’s presence in the U.S., the U.K., Uganda, and Hungary, countries where legislation has limited the rights of trans and homosexual people and denied them their sexual identity. The author also delves into the ideology’s roots among Evangelicals and the Catholic Church and such political leaders as Donald Trump and Viktor Orbán. Butler is particularly bothered by trans-exclusionary radical feminists (TERFs), who treat trans women as “male predators in disguise.” For the author, “the gap between the perceived or lived body and prevailing social norms can never be fully closed.” They imagine “a world where the many relations to being socially embodied that exist become more livable” and calls for alliances across differences and “a radical democracy informed by socialist values.” Butler compensates for the thinness of some of their recommendations with an astute dissection of the ideology’s core ideas and impressive grasp of its intellectual pretensions. This is a wonderfully thoughtful and impassioned book on a critically important centerpiece of contemporary authoritarianism and patriarchy.
A master class in how gender has been weaponized in support of conservative values and authoritarian regimes.Pub Date: March 19, 2024
ISBN: 9780374608224
Page Count: 320
Publisher: Farrar, Straus and Giroux
Review Posted Online: Dec. 5, 2023
Kirkus Reviews Issue: Jan. 1, 2024
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by Alyssa Milano ‧ RELEASE DATE: Oct. 26, 2021
The choir is sure to enjoy this impassioned preaching on familiar progressive themes.
Essays on current political topics by a high-profile actor and activist.
Milano explains in an introduction that she began writing this uneven collection while dealing with a severe case of Covid-19 and suffering from "persistent brain fog.” In the first essay, "On Being Unapologetically Fucked Up,” the author begins by fuming over a February 2019 incident in which she compared MAGA caps worn by high school kids to KKK hoods. She then runs through a grab bag of flash-point news items (police shootings, border crimes, sexual predators in government), deploying the F-bomb with abandon and concluding, "What I know is that fucked up is as fundamental a state of the world as night and day. But I know there is better. I know that ‘less fucked up’ is a state we can live in.” The second essay, "Believe Women," discusses Milano’s seminal role in the MeToo movement; unfortunately, it is similarly conversational in tone and predictable in content. One of the few truly personal essays, "David," about the author's marriage, refutes the old saw about love meaning never having to say you're sorry, replacing it with "Love means you can suggest a national sex strike and your husband doesn't run away screaming." Milano assumes, perhaps rightly, that her audience is composed of followers and fans; perhaps these readers will know what she is talking about in the seemingly allegorical "By Any Other Name," about her bad experience with a certain rosebush. "Holy shit, giving birth sucked," begins one essay. "Words are weird, right?" begins the next. "Welp, this is going to piss some of you off. Hang in there," opens a screed about cancel culture—though she’s entirely correct that “it’s childish, divisive, conceited, and Trumpian to its core.” By the end, however, Milano's intelligence, compassion, integrity, and endurance somewhat compensate for her lack of literary polish.
The choir is sure to enjoy this impassioned preaching on familiar progressive themes.Pub Date: Oct. 26, 2021
ISBN: 978-0-593-18329-8
Page Count: 272
Publisher: Dutton
Review Posted Online: Aug. 16, 2021
Kirkus Reviews Issue: Sept. 1, 2021
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by Alyssa Milano & Debbie Rigaud ; illustrated by Eric S. Keyes
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