A dark, glittering fable about the terror of desire.
Four teenage girls attempt to unlock the secrets of levitation in this unsettling debut from the senior editor of Literary Hub.
Olivia's father left to attend a Buddhist retreat at the Levitation Center but never returned home. When Olivia flees her abusive mother in order to find out what happened to him, she spends the summer attending the center's retreat for teen girls. "They were slick-finish girls, cat-eye girls, hot blood girls," Olivia recalls. "They were girls who reveled. They were girls who liked boys and back seats, who slid things that weren't theirs into their tight pockets." But the crackling energy of three girls in particular catches Olivia's eye: commanding Serena, stoic Janet, and provocative Laurel. Under the direction of Serena, the four young women convince Luke, the center's gardener and a universal object of teenage lust, to teach them the secrets of levitation. In preparation, the girls fast on nettle tea, play dangerous fainting games, and attempt to seduce Luke. The summer wears on, and Serena pushes them each to the brink. At last, Olivia must confront the possibility that Serena's quest for control over their bodies might put them all in danger—or is that what Olivia really wants? Temple's evocative exploration of teenage girlhood, shame, and longing illuminates the double-edged desire for power and belonging. Her sentences are complex and rich, although the ominous mood of the novel occasionally overpowers the emotional payoff of its reveals. "You might as well learn this now: even the tiniest bit of power turns me instantly immoral," Olivia laments early in the novel, though it's difficult to say how much power Olivia ever wields. Still, Temple's narrative strategies of deferral invite us into a complex, psychological study of a young woman haunted by her past—and her capacity to hunger for violence and self-destruction.
A dark, glittering fable about the terror of desire.Pub Date: June 16, 2020
ISBN: 978-0-06-290532-1
Page Count: 288
Publisher: Morrow/HarperCollins
Review Posted Online: March 28, 2020
Kirkus Reviews Issue: April 15, 2020
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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