Could use more polish, but this bright writer is leading the way into an exciting future for queer literature.
Tender, incisive portraits of trans womanhood, the ties that bind women to one another, and the complex relationships of youth.
Simultaneously aligned with queer coming-of-age story collections of previous generations and dexterously subverting and revitalizing the genre, these seven stories offer a glimpse into the future of queer literature. They capture Gen Z’s best traits: intuitiveness and self-assurance. The characters are candid and more self-aware than previous generations, but focused on the normal concerns of youth: relationships, sex, work, and how to be a person in the world. The dialogue feels natural and brings each character to life. In "Means to an End," 20-year-old Leonora has dropped out of NYU and is “the fourth tenant of the lesbian love triangle apartment.” Her roommates’ constant conflict creates a fraught living environment that frames her own low-frequency internal instability as she grows into herself and tries to figure out how to live life on her own terms. Relying on the emotional growth of the characters for propulsion, Zhou scatters her text with poetic gestures that hint at resolution but leave the characters’ preoccupations ultimately unresolved. For example, thinking about a tense conversation the night before with a woman she had feelings for, Leonora describes the apartment in detail and notes that “the light was turning soft and forgiving.” Then she does the dishes that had caused tension among her roommates the night before: “At the end of the dishes, there was an empty sink. I watched the water run down the drain for a moment.” These images suggest that, while the messiness of her life and her relationship with the woman is tidied up for now, a sense of emptiness remains; the character conveys her emotions without directly saying how she feels. The final story, “Gap Year,” documents the narrator’s life in a series of dated fragments that conclude with an insight that feels true to the protagonists of all the other stories: “Maybe what I was trying to capture in these pages was your sense of purpose, the way you seemed to cut a straight, clear path through the world….[Sometimes you] would make me feel like everything extraneous had fallen away and I lived suddenly in a clean, clear reality that seemed navigable.”
Could use more polish, but this bright writer is leading the way into an exciting future for queer literature.Pub Date: Oct. 17, 2023
ISBN: 9781736716847
Page Count: 180
Publisher: LittlePuss Press
Review Posted Online: Aug. 26, 2023
Kirkus Reviews Issue: Sept. 15, 2023
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A debut novel with bright spots, but unbalanced and lacking in finesse.
A high school senior pursues an affair with her teacher.
Seventeen-year-old Waldo, the narrator of McCurdy’s fiction debut, lives in Anchorage, Alaska, with her mother, though she’s long been the parent in their relationship. She heats her own frozen meals and pays the bills on time while her mom chases man after man and makes well-meaning promises she never keeps. Waldo blows her Victoria’s Secret wages on online shopping sprees and binges on junk food, inevitably crashing after the fleeting highs of her indulgences. Mr. Korgy, her creative writing teacher, has “thinning hair and nose pores”; he’s 40 years old and married with a child. Nevertheless—or possibly as a result?—Waldo’s attraction to him is “instant. So sudden it’s alarming. So palpable it’s confusing.” Mr. Korgy professes to want to keep their friendship aboveboard, but after a sexual encounter at the school’s winter formal that she initiates, an affair begins. Will this reckless pursuit be the one that actually satisfies Waldo, and is she as mature as she thinks she is? Waldo is a keen observer of people and provides sharp commentary on the punishing work of female beauty. Readers of McCurdy’s bestselling memoir, I’m Glad My Mom Died (2022), will surely be curious about the tumultuous mother-daughter relationship, and it is one of the novel’s highlights, full of realistic pity and anger and need. (“I want to scream at her. I want her to hug me.”) Unfortunately, the prose is often unwieldy and sometimes downright cringeworthy: When Waldo tells Mr. Korgy she loves him, “The words hang in the air in that constipated way they do when you know that you shouldn’t have said them.” Waldo frequently lists emotions and adjectives in triplicate, and events that could be significant aren’t sufficiently explored or given enough space to breathe before the novel races on to the next thing.
A debut novel with bright spots, but unbalanced and lacking in finesse.Pub Date: Jan. 20, 2026
ISBN: 9780593723739
Page Count: 288
Publisher: Ballantine
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
BOOK REVIEW
SEEN & HEARD
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