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IN DARKLING WOOD

Carroll is becoming well-known in her native England; this book should win her American fans. (Fiction. 10-16)

A modern Gothic tale of fairies, fractured families, and healing.

Fifteen-year-old Alice's younger brother, Theo, will die without a heart transplant. Alice's never-married parents split just before Theo became ill, and her father has become distant, seemingly unconcerned about his son and unavailable to help them. When a heart is found, Alice's mother thrusts her into the care of her paternal grandmother, Nell, a strange, terse woman Alice doesn't remember. Nell lives alone outside a small English village in Darkling Wood, three acres of ancient trees she plans to cut down, but the townspeople are against the wood’s leveling. Then Alice encounters a girl her own age, Flo, who implores her to intervene: Darkling Wood is home to the fairies. Alice is a pragmatic, modern girl, but Flo insists that if Alice can truly believe in the fairies, then the wood—and, somehow, Theo, who is suffering complications—will survive. Interspersed through Alice's present-tense narration are letters from a young girl to her brother fighting in World War I. A great deal of family tragedy unfolds with gentle realism. Neither Alice nor Nell is a sentimental character. Both white, they’re beautifully drawn, and the pragmatic prose and completely modern language (except for the letters) ground the story. The fairies aren't covered in pixie dust here.

Carroll is becoming well-known in her native England; this book should win her American fans. (Fiction. 10-16)

Pub Date: March 14, 2017

ISBN: 978-0-399-55601-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: Nov. 15, 2016

Kirkus Reviews Issue: Dec. 1, 2016

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THE POISONED KING

From the Impossible Creatures series , Vol. 2

A spectacular return to a magical world.

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Following the events of Impossible Creatures (2024), a devoted Guardian teams up with a brave princess to fight her power-hungry uncle and save the Archipelago’s dragons from a strange new threat.

Jacques the dragon summons Christopher Forrester back to the Archipelago from the human world: Dragons are dying, and no one knows why. Meanwhile, on the island of Dousha, Princess Anya’s grandfather, King Halam, has been murdered, and her father accused—though she knows he’s innocent. When Christopher and Anya take refuge on the islet of Glimt, the Berserker Nighthand helps them see how their twin missions to save the dragons and free Anya’s father are connected. They work together to create an antidote for the poison that’s killing the dragons and to keep Anya and her father safe from her murderous uncle. Meanwhile, Nighthand and Irian, the part-nereid ocean scholar, pursue their own important secret mission. Divided into three parts—“Castle,” “Dragons,” and “Revenge”—and containing elements of fairy tales, fantasy, and Shakespeare, this story continues the storyline established in the series opener, yet because it introduces new characters and obstacles, it could also stand alone. Dark-blond Anya (“five feet tall and all of it claws”) is a match for white-presenting Christopher, who, though he still misses Mal, finds that “it made a difference to have someone to move through the world with again. A friend changed the feel of the universe.” Mackenzie’s delicate, otherworldly art adorns the text.

A spectacular return to a magical world. (map, bestiary) (Fantasy. 10-15)

Pub Date: Sept. 11, 2025

ISBN: 9780593809907

Page Count: 304

Publisher: Knopf

Review Posted Online: May 30, 2025

Kirkus Reviews Issue: July 1, 2025

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THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: April 15, 2013

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