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DADDY

STORIES

Well-crafted depictions of people at crisis points in their lives. Some crises depicted are more compelling than others.

Tales of coastal malaise from the author of The Girls (2016).

Several of the stories in this collection are about the failures and disappointments of older men. In “What Can You Do With a General,” a father tries to understand his adult children when they come home for Christmas. In “Son of Friedman,” a washed-up writer who has left California for New York endures the premier of his son’s terrible film and makes an awkward attempt to interest a more successful friend in a new screenplay. Cline’s voice is understated; her pace is slow and steady. The reader arrives at the central conflict of the story obliquely—or, in some cases, not at all. The details of the misdeeds at the heart of “Menlo Park” and “Northeast Regional” are never revealed. There’s a sameness to these stories, and a few read as if the moments in time they depict were chosen at random. The selections that have young female protagonists are more engaging. The main character in “Los Angeles” endures the atmosphere of sexual harassment that’s just part of the job for women in service industries; her attempt to reclaim some agency has its own risks. Twenty-four-year-old Kayla is hiding out from the paparazzi in “The Nanny.” She has no remorse for her sexual dalliance with the famous-actor father of the child in her care. Her feelings about the affair are primarily shaped by how the scandal is playing out on social media. “She came across a new photo—she looked only okay. A certain pair of jeans she loved was not, she saw, as flattering as she’d imagined it to be. She saved the photo to her phone so she could zoom in on it later.” The old men in the other stories gathered here would no doubt find this reaction cynical and self-absorbed—an example of the superficiality inherent in growing up online. Kayla’s peers, however, might note that these old men grew up shaped by the privilege of thinking that the world owed them something.

Well-crafted depictions of people at crisis points in their lives. Some crises depicted are more compelling than others.

Pub Date: Sept. 1, 2020

ISBN: 978-0-8129-9864-1

Page Count: 288

Publisher: Random House

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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THE MAN WHO LIVED UNDERGROUND

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.

Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

Pub Date: April 20, 2021

ISBN: 978-1-59853-676-8

Page Count: 240

Publisher: Library of America

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

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