Such a cupcake of a book, it feels like you're doing something more self-indulgent than reading.
Ditched by her actor husband, a Manhattan mom takes a job at an Internet startup run by rude club kids with MBAs.
"Did Maya touch my dream catcher?" shrills Rory McGovern's New-Age–y mother-in-law on the last day of their stay at her un–air-conditioned house outside Woodstock. This is the 10th line of the book, and if it makes you laugh, you're all set, because the Nanny Diaries authors, McLaughlin and Kraus (The First Affair, 2013, etc.), are nonstop quippers, making this amiable work of midlife chick-lit quite a hoot. Rory's husband, Blake, an actor whose picture she had on her wall as a teenager and whom she met as an undergrad at SUNY Purchase—"I will die if I don't touch him"—is now, a couple of kids into their married life in New York City, drifting away. Part of the reason for his depression is that he's not getting any work, so Rory, who's a freelance stylist for shelter magazines, has to get a full-time job. She signs on to curate the design vertical (translation: "edit the interior decorating page") at a startup called JeuneBug, which bills itself as the first high-end lifestyle website for children, as in $15,000 acrylic "snowflake beds" and sharkskin wipe dispensers. In an office where "girls of sizes were now wearing things I once would have called panties to answer phones and populate spreadsheets," Rory is tyrannized by her 20-something boss, who shrieks things like, "obviously these should be force-ranked by potential ad rev clicks." Juggling her job, her suddenly single parenting, a bit of corporate intrigue, and a few suitors—the least promising of whom is her nasty boss's 24-year-old boyfriend—Rory forges bravely through this thoroughly modern mess.
Such a cupcake of a book, it feels like you're doing something more self-indulgent than reading.Pub Date: July 28, 2015
ISBN: 978-1-4516-4345-9
Page Count: 256
Publisher: Atria
Review Posted Online: April 29, 2015
Kirkus Reviews Issue: May 15, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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