The whirlwind of drama in the last act compensates for the uneven portrait of teen life.
The summer before college proves life-changing for two best friends.
The novel opens with catastrophe: In 1998, Mimi Truang is at the Philadelphia International Airport returning home to Vietnam when her toddler disappears. Instead of helping, immigration authorities detain and then sedate her as they send her back to Ho Chi Minh City. In the misery of the ensuing 17 years, she maintains hope she’ll find Ngan. The story then leaps forward to 2015, to Kit Herzog and Sabrina Chen, best friends who couldn’t be more different: Kit, the adopted Asian daughter of anxious white parents, is selfish and spoiled, while Sabrina, the obedient child of Chinese immigrant Lee Lee, lives happily as Kit’s sidekick. On a whim, Kit spends the summer in Japan while Sabrina stays in Philadelphia, working for college money and volunteering at an Asian legal aid clinic run by the impressive Eva Kim. In Tokyo, staying at a diplomatic residence with a family friend, Kit promptly falls for the diplomat’s son. While Kit posts enviable pics, Sabrina is having an awakening under the tutelage of Eva, while also falling hard for Kit’s ex, Dave Harrison. Much of the novel explores the micro- and macroaggressions Asian women experience in America. Although Kit’s money and mixed-race appearance largely shield her, Sabrina understands all too well what it’s like to be an immigrant’s kid. Kit and Sabrina’s searches for identity in the affluent white suburbs are meaningful explorations, but are hampered by the fact that these two Gen Z girls don’t really sound or act like teenagers. When Mimi returns to the U.S. with a list of girls who could be her daughter, though, the novel quickly transforms from a coming-of-age tale to something quite harrowing.
The whirlwind of drama in the last act compensates for the uneven portrait of teen life.Pub Date: July 1, 2025
ISBN: 9780593831014
Page Count: 416
Publisher: Pamela Dorman/Viking
Review Posted Online: May 3, 2025
Kirkus Reviews Issue: June 1, 2025
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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