Thompson and Taylor offer a second story in their charming series revisiting the beloved Beatrix Potter rabbit characters, following The Further Adventures of Peter Rabbit (2012).
This time the plot focuses on the main dish for Mr. and Mrs. McGregor’s Christmas dinner: not rabbit pie this time but roast turkey. Peter Rabbit and his cousin Benjamin Bunny are friends with William the turkey, “a puffed-up person, full of his own importance.” He struts about the farmyard oblivious to upcoming holiday dinner plans, thinking he will be a guest rather than the entree at the McGregors’ table. Peter and Benjamin try various schemes to hide William from Mr. McGregor and his ominous cleaver, eventually camouflaging their friend on Mrs. McGregor’s hat stand among other feathered bonnets. Thompson’s engaging text is filled with droll humor and old-fashioned but clever turns of phrase that echo Potter’s literary style. Similarly, Taylor’s sweetly comical watercolor illustrations pay homage to the original Peter Rabbit characters without being exact copies, and the large trim differentiates this new series from the tiny classic volumes. Sensitive children might think differently about eating turkey after reading of William’s narrow escape, and purists may wince at recycling Peter and pals, but this amusing story of the conceited turkey and his helpful rabbit friends is a tale well-told. (author’s note, CD of author reading story) (Picture book. 4-7)
Pub Date: Oct. 22, 2013
ISBN: 978-0-7232-7694-4
Page Count: 72
Publisher: Warne
Review Posted Online: Nov. 15, 2013
BOOK REVIEW
Chilling in the best ways.
When a young rabbit who’s struggling in school finds a helpful crayon, everything is suddenly perfect—until it isn’t.
Jasper is flunking everything except art and is desperate for help when he finds the crayon. “Purple. Pointy…perfect”—and alive. When Jasper watches TV instead of studying, he misspells every word on his spelling test, but the crayon seems to know the answers, and when he uses the crayon to write, he can spell them all. When he faces a math quiz after skipping his homework, the crayon aces it for him. Jasper is only a little creeped out until the crayon changes his art—the one area where Jasper excels—into something better. As guilt-ridden Jasper receives accolade after accolade for grades and work that aren’t his, the crayon becomes more and more possessive of Jasper’s attention and affection, and it is only when Jasper cannot take it anymore that he discovers just what he’s gotten himself into. Reynolds’ text might as well be a Rod Serling monologue for its perfectly paced foreboding and unsettling tension, both gentled by lightly ominous humor. Brown goes all in to match with a grayscale palette for everything but the purple crayon—a callback to black-and-white sci-fi thrillers as much as a visual cue for nascent horror readers. (This book was reviewed digitally.)
Chilling in the best ways. (Picture book. 4-7)Pub Date: Aug. 23, 2022
ISBN: 978-1-5344-6588-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
Ai ya—not the happiest New Year tale.
A little girl in Shanghai outwits a Lunar New Year monster.
Xingling is grocery shopping with her grandmother days before the Chinese New Year festivities are to begin. Curious about all the red decorations, she learns that once upon a time there was a very hungry monster who threatened villages. The monster, fortunately, had three fears—“loud sounds, fire, and the color red”—and the Chinese learned how to keep safe from it. Unfortunately, the monster, named Nian, soon appears in Shanghai very hungry and very unperturbed by ancient customs. Xingling cleverly finds three new, traditional means to defeat Nian: a bowl containing “the longest noodle in China” (which sends him snoozing), bony milkfish (which hurts his throat), and a rice cake made with very sticky rice (which glues his jaws together). Wang brings together traditional storytelling elements in her tale—three tasks and repetition of phrases—in this contemporary setting of a Chinese New Year story. However, the writing is pedestrian and will not hold up to multiple readings. The explanation that “nian” means either “year” or “sticky” comes only in the author’s note. Chau’s artwork is colorful but very busy; Xingling is drawn with giant, manga-style eyes, though the other Chinese characters have simple ink-dot eyes. Also, there is no mention of which year of the 12-year cycle is being celebrated.
Ai ya—not the happiest New Year tale. (Picture book. 4-7)Pub Date: Dec. 1, 2016
ISBN: 978-0-8075-5642-9
Page Count: 32
Publisher: Whitman
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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