A modern twist on classic folklore and the bonds of friendship.
Sometimes friendships emerge from the most unexpected places.
“Everybody in Ireland knows that banshees are supernatural harbingers of doom.” Referred to as bansheenies when they are young, these fairies grow in pods. Each banshee forms an unshakable link with the first human they see until one day, the banshee bursts forth to “howl the banshee’s howl at them”—a sign that the human is about to die. (Apart from that, banshees and humans don’t interact.) Beanie is knocked loose from her pod during the all-important bonding phase and finds herself unable to glean all the knowledge she needs about her human, Rose. As Beanie struggles to do her job, she connects with Rose on a much deeper level than most banshees do with their humans. When Beanie learns of a powerful storm that will destroy Rose’s cottage, Beanie appears to Rose, warning her of her family’s fate and helping them escape certain death—all conveyed in thrilling, moody swirls of color across several spreads. After much soul-searching, Beanie decides to set aside her grim life tasks and instead further her bond with Rose and continue to “learn the songs of the elements.” With their Celtic green palette, McCarthy’s spirited digital illustrations are full of life, propelling the narrative forward with motion. They pair well with Colfer’s joyful text, which echoes the storytelling tradition of fairy tales with clever descriptions and effective page turns. Rose and her family are brown-skinned.
A modern twist on classic folklore and the bonds of friendship. (author’s note) (Picture book. 5-8)Pub Date: Nov. 12, 2024
ISBN: 9781536240665
Page Count: 64
Publisher: Candlewick
Review Posted Online: Aug. 30, 2024
Kirkus Reviews Issue: Oct. 1, 2024
Another empowering outing led by a dynamic young role model.
The third title in the Ambitious Girl series finds young Maya wanting accomplished women to get their due.
On a school trip to Washington, D.C., brown-skinned, bubble-braided Maya is full of questions, among them “How many representatives are there?” and, while checking out the statues and monuments, “Where are all the women?” Maya’s teacher tells her that they’ve seen all the “popular” statues and monuments. Maya is as dogged (“But what about Eleanor Roosevelt? Or Mary McLeod Bethune?”) as her teacher is dismissive: “Those aren’t on my list.” (Maya’s teacher follows the same list every trip.) Back at home, Maya is newly awakened to the lack of female representation in her orbit—she notices that streets and “even her own school” are named for men. Is there anything she can do about this? Maya’s teacher’s cluelessness feels a bit implausible, more like a plot device to steer the story in the right direction, but Maya’s righteous indignation is believable, and her corresponding activism will energize readers. Valdez gets into the spirit of things with her invigorating digital art: Maya and her multiethnic classmates and neighbors are colorful dressers with smiling faces, which fosters a sense that wherever Maya goes, a warm and ebullient community is there for her.
Another empowering outing led by a dynamic young role model. (Picture book. 5-8)Pub Date: Feb. 3, 2026
ISBN: 9780316561341
Page Count: 40
Publisher: Little, Brown
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
BOOK REVIEW
BOOK REVIEW
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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