by E.R. Frank ‧ RELEASE DATE: Feb. 1, 2001
It’s hard to imagine what America has going for him. Abandoned at birth by a crack-addicted mother, abandoned again by the white family who wanted a white baby, he has found intermittent happiness with his guardian, Mrs. Harper, and her half-brother Browning. But these periods of stability are threatened, first by the birth mother who reclaims him only to abandon him yet again and then by Browning himself, who slowly turns from protector to victimizer, and who injures America almost beyond bearing. The reader first meets America at age 15, in a residential psychiatric program for youth after he has attempted suicide. As he embarks on his umpteenth course of therapy, the narrative takes the reader back and forth between “then” and “now,” laying out in clinical, brutal detail how it is that America became the broken boy that he is, and then how he slowly comes back to life. It’s a heartbreaking story, softened only slightly by the human connections he manages to make, almost despite himself: his older brother Brooklyn, a drug addict like their mother; Lisa, a girl from his Special Ed class; Ty, the drug dealer who reads to him; and above all, Dr. B., the therapist who helps America restore his soul. America narrates his story in the present tense, lacing his speech liberally with street language; his attitude is endearing in its candor: “Food here sucks,” he tells Dr. B. “Just because I’m crazy doesn’t mean I have to eat shit.” Frank (Life Is Funny, 2000) creates perfectly both America at five, unsure of anything except the hope that if he is bad enough, his mother will send him back to Mrs. Harper and the belligerent adolescent convinced that the world has nothing to offer him. A wrenching tour de force despite America’s overly symbolic name, it is a work of sublime humanity. (Fiction. YA)
Pub Date: Feb. 1, 2001
ISBN: 0-689-84729-7
Page Count: 256
Publisher: Richard Jackson/Atheneum
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2001
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by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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by Kwame Alexander with Mary Rand Hess ‧ RELEASE DATE: Aug. 1, 2017
A contemporary hero’s journey, brilliantly told.
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The 17-year-old son of a troubled rock star is determined to find his own way in life and love.
On the verge of adulthood, Blade Morrison wants to leave his father’s bad-boy reputation for drug-and-alcohol–induced antics and his sister’s edgy lifestyle behind. The death of his mother 10 years ago left them all without an anchor. Named for the black superhero, Blade shares his family’s connection to music but resents the paparazzi that prevent him from having an open relationship with the girl that he loves. However, there is one secret even Blade is unaware of, and when his sister reveals the truth of his heritage during a bitter fight, Blade is stunned. When he finally gains some measure of equilibrium, he decides to investigate, embarking on a search that will lead him to a small, remote village in Ghana. Along the way, he meets people with a sense of purpose, especially Joy, a young Ghanaian who helps him despite her suspicions of Americans. This rich novel in verse is full of the music that forms its core. In addition to Alexander and co-author Hess’ skilled use of language, references to classic rock songs abound. Secondary characters add texture to the story: does his girlfriend have real feelings for Blade? Is there more to his father than his inability to stay clean and sober? At the center is Blade, fully realized and achingly real in his pain and confusion.
A contemporary hero’s journey, brilliantly told. (Verse fiction. 14-adult)Pub Date: Aug. 1, 2017
ISBN: 978-0-310-76183-9
Page Count: 464
Publisher: Blink
Review Posted Online: April 30, 2017
Kirkus Reviews Issue: May 15, 2017
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