by Eric A. Kimmel ; illustrated by Mónica Gutierrez ‧ RELEASE DATE: Aug. 4, 2016
An attractive, different take on a holiday tale.
As in the story of the little red hen, Little Red Rosie, a Jewish white girl, is baking bread, but she is baking festive challah.
In the folk tale, the hen gets no help and must do everything herself. In this lively picture book, Rosie’s stuffed animals come to life, and Toucan, Parrot, and Hornbill (and a yellow bird that observes) help make the loaves, both the usual braided type and the round challah, symbolic of the cycle of life and God’s crown and made specifically for the high holidays. No adults help, but Kimmel writes in his afterword that Rosie “practices being the capable one—the parent—with her bird friends.” Rosie’s repetitive questions, as in “Who will help me knead the dough?” and the frequent, eager “I will” responses of the main avian characters will help young readers join in. Watercolor paintings set in a modern kitchen detail the mess and emphasize the story’s fun. The three birds are pictured sitting on the (covered) rising dough “like it was an egg in a nest.” The shaping of the dough into challah is quite amusing. Luckily, the loaves are ready for the neighborhood holiday dinner, a multiethnic affair. Readers wishing for educational extras will need to look elsewhere for a description of the holiday and the festive foods pictured (pomegranate, apple, and honey), a Hebrew transliteration of the English prayer, and a challah recipe.
An attractive, different take on a holiday tale. (Picture book. 3-7)Pub Date: Aug. 4, 2016
ISBN: 978-1-68115-518-0
Page Count: 32
Publisher: Apples & Honey Press
Review Posted Online: June 21, 2016
Kirkus Reviews Issue: July 1, 2016
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by Lisa Tawn Bergren & illustrated by Laura J. Bryant ‧ RELEASE DATE: Jan. 15, 2013
Fans of this popular series will find this a rewarding addition to family Easter celebrations.
Bergren and Bryant attempt to explain Easter to young children in a gentle, nonthreatening manner, with partial success.
When Little Cub questions her father about Easter, Papa Bear explains the religious significance of the holiday in various symbolic ways to his cub. He uses familiar things from their world, such as an egg and a fallen tree, to draw parallels with aspects of the Christian story. Papa Bear discusses his close relationships with Jesus and God, encouraging Little Cub to communicate with God on her own. The theme focuses on the renewal of life and the positive aspects of loving God and Jesus. Easter is presented as a celebration of eternal life, but the story skirts the issue of the crucifixion entirely. Some adults will find this an inadequate or even dishonest approach to the Easter story, but others will appreciate the calm and soothing text as a way to begin to understand a difficult subject. Bryant’s charming watercolor illustrations of the polar bear family, their cozy home and snowy forest scenes add to the overall mellow effect.
Fans of this popular series will find this a rewarding addition to family Easter celebrations. (Religion/picture book. 3-6)Pub Date: Jan. 15, 2013
ISBN: 978-0-307-73072-5
Page Count: 40
Publisher: WaterBrook
Review Posted Online: Dec. 11, 2012
Kirkus Reviews Issue: Jan. 1, 2013
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by Eileen Spinelli ; illustrated by Archie Preston ‧ RELEASE DATE: Sept. 1, 2015
Low-key and gentle; a book to be thankful for.
Spinelli lists many things for which people are thankful.
The pictures tell a pleasing counterpoint to this deceptively simple rhyme. It begins “The waitress is thankful for comfortable shoes. / The local reporter, for interesting news.” The pictures show a little girl playing waitress to her brother, who playacts the reporter. The news gets interesting when the girl trips over the (omnipresent) cat. As the poem continues, the Caucasian children and their parents embody all the different roles and occupations it mentions. The poet is thankful for rhyme and the artist, for light and color, although the girl dancer is not particularly pleased with her brother’s painterly rendition of her visual art. The cozy hotel for the traveler is a tent for the siblings in the backyard, and the grateful chef is their father in the kitchen. Even the pastor (the only character mentioned who is not a family member) is grateful, as he is presented with a posy from the girl, for “God’s loving word.” The line is squiggly and energetic, with pastel color and figures that float over white space or have whole rooms or gardens to roam in. Both children, grateful for morning stories, appear in a double-page spread surrounded by books and stuffed toys as their mother reads to them—an image that begs to be a poster.
Low-key and gentle; a book to be thankful for. (Picture book. 4-7)Pub Date: Sept. 1, 2015
ISBN: 978-0-310-00088-4
Page Count: 32
Publisher: Zonderkidz
Review Posted Online: May 17, 2015
Kirkus Reviews Issue: June 15, 2015
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