Kimmel remakes the Washington Irving classic into a shorter, more moralistic episode, preserving major events but changing the original by having Rip, after his long sleep, suffer remorse for his lazy ways and go forth with his grown children to become an industrious farmer. Fisher adds strong figures with eyes that are usually downcast, hidden or averted—a device that makes Hudson’s gnomic bowlers in the mountains all the more mysterious, but keeps viewers at arm’s-length from the characters. He also takes some missteps, opting not to depict the arrival of shrill Mrs. Van Winkle among the tavern idlers, which is a significant plot point as it galvanizes Rip’s hasty trip into the hills, and for Rip’s return, choosing a color for the rents in his blouse that make them look startlingly like splashes of dried blood. Along with the problematic alterations, this consequently lacks the seamlessness of such other illustrated retellings as Freya Littledale’s, illustrated by Michael Dooling (1991), and Will Moses’s (1999). (afterword) (Picture book. 8-10)
Pub Date: April 10, 2007
ISBN: 0-374-36308-0
Page Count: 32
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2007
From Hughes (Enchantment in the Garden, 1997, etc.), a WWII story with big ambitions—many of them realized’set out in the pages of an unusually long picture book. Lenny Levi lives in London with his mother during the Blitz, cherishing the letters from his father at the front, and the medal of the lion and the unicorn his father gave him. When Lenny is evacuated to the country, he finds himself at a huge old manor with three little girls, the lady of the house, and a few servants. He is lonely, teased at school and at home for not eating bacon and for bedwetting, but makes a friend of the young man with one leg he meets in the secret garden on the estate. The garden, thick with roses, also holds a beautiful statue of a unicorn like the one on his medal. As Lenny’s loneliness and fear spiral out of control, a night vision of the unicorn brings him back; his mother comes to take them both to his aunt in Wales, where his father will join them. The storyline, while straightforward, hints at difficult subjects—religious differences, amputees, separation, family disruptions, the terror of bombing, and more—which are then given only cursory treatment. The pictures are splendid: luminous, full-bodied watercolors that capture the horror of London burning, the glory of the countryside, and mists of dreams. It may be difficult for this to find its audience, but children too young for Michelle Magorian’s Good Night, Mr. Tom (1986) might be captured. (Picture book. 8-10)
Pub Date: April 1, 1999
ISBN: 0-7894-2555-6
Page Count: 60
Publisher: DK Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A book of the basic teachings of Buddha, presented through a collection of six classic, simple tales. When a monkey takes refuge from a monsoon in a cave, he happens upon a group of bickering animals—a monkey, lion, turtle, jackal, and dove. Before the fighting becomes too fierce, a small statue of Buddha begins to glow in the darkest corner. To pass the time—and to stop the fighting—wise Buddha spins enlightening stories of tolerance, endurance, sagacity, truthfulness, kindness, and clarity. Buddha recounts his past lives in many forms—from monkey to pigeon to willow tree—to his captive listeners. Such straightforward yet profound tales combine with the art and design for an example of bookmaking that is aesthetically pleasing in every way. Color-washed linoprints cleverly distinguish the stories from the black-and-white narrative frame, while an informative afterword offers brief background detail about Buddha and these six “birth stories” known as Jatakas. (Picture book/folklore. 4-7)
Pub Date: April 8, 1999
ISBN: 0-374-33548-6
Page Count: 40
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1999
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