by Eric A. Kimmel & illustrated by Stephen Gilpin ‧ RELEASE DATE: March 1, 2007
Kimmel sets his reworking of “The Three Billy Goats Gruff” just north of the Rio Grande, sending caprine musicians Reynaldo, Orlando and Augustín tripping across the border to a fiesta in Mexico. First, of course, they must first get by the fearsome Chupacabra, or “goat sucker,” guarding the bridge—who demands a tune in exchange for their lives. Gilpin stands the goats on hind legs, gives them overalls, band instruments and big horsey grins and pits them against a spiny blue monster that resembles a cross between Yoda and a whale-sized flea. Ultimately, big Augustín tootles away on his accordion until the dancing Chupacabra collapses and deflates in exhaustion. Any political implications in this fresh, original take on the familiar tale are (surely) inadvertent, and would go over the heads of younger readers anyway. (end note) (Picture book/folktale. 5-7)
Pub Date: March 1, 2007
ISBN: 0-7614-5343-1
Page Count: 32
Publisher: Marshall Cavendish
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2007
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by Lucy Floyd & illustrated by Christopher Denise ‧ RELEASE DATE: Aug. 1, 2000
Floyd and Denise update “The Tortoise and the Hare” for primary readers, captioning each soft-focus, semi-rural scene with a short, simple sentence or two. Rabbit proposes running to school, while his friend Turtle takes the bus: no contest at first, as the bus makes stop after deliberate stop, but because Rabbit pauses at a pushcart for a snack, a fresh-looking Turtle greets his panting, disheveled friend on the school steps. There is no explicit moral, but children will get the point—and go on to enjoy Margery Cuyler’s longer and wilder Road Signs: A Harey Race with a Tortoise (p. 957). (Easy reader. 5-7)
Pub Date: Aug. 1, 2000
ISBN: 0-15-202679-7
Page Count: 20
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2000
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by Kaya Doi ; illustrated by Kaya Doi ; translated by Yuki Kaneko ‧ RELEASE DATE: Sept. 7, 2016
A serene, feel-good outing with a cozy, old-fashioned feel.
In this Japanese import, the first in a long-running series to appear in English, two girls ride bikes through a forest—with stops for clover-blossom tea and jam sandwiches.
It’s such a benign wood that Chirri and Chirra—depicted as a prim pair of identical twins with straight bob cuts—think nothing of sharing both a lunch spot and a nap beneath a tree with a bear and a rabbit. Moreover, at convenient spots along the way there is a forest cafe with a fox waiter plus “tables and chairs of all different size” to accommodate the diverse forest clientele, a bakery offering “bread in all different shapes and jam in all different colors,” and, just as the sun goes down, a forest hotel with similarly diverse keys and doors. That night a forest concert draws the girls and the hotel’s animal guests to their balconies to join in: “La-la-la, La-la-la. What a wonderful night in the forest!” Despite heavy doses of cute, the episode is saved from utter sappiness by the inclusive spirit of the forest stops and the delightfully unforced way that the girls offer greetings to a pair of honeybees at a tiny adjacent table in the cafe, show no anxiety at the spider dangling above their napping place, and generally accept their harmonious sylvan world as a safe and friendly place. Doi creates her illustrations with colored pencil, pastel, and crayon, crafting them to look like mid-20th-century lithographs.
A serene, feel-good outing with a cozy, old-fashioned feel. (Picture book. 5-7)Pub Date: Sept. 7, 2016
ISBN: 978-1-59270-199-5
Page Count: 40
Publisher: Enchanted Lion Books
Review Posted Online: July 25, 2016
Kirkus Reviews Issue: Aug. 15, 2016
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