A lively, magical tale of ancient times with a modern ethos.
Scarlett and Sam are off on another magic carpet adventure (Escape From Egypt, 2015; Search for the Shamir, 2018), this time in the company of the prophet Jonah.
When the children take Grandma Mina’s centuries-old carpet to be cleaned, the cab driver, Jonah, tells them he is hiding from a very powerful boss. At their destination, Jonah speeds off with the carpet still in the trunk. They try to stop him and immediately find themselves in Jaffa in ancient Judea, where they discover that their carpet has been sold to pay for passage on a ship. They jump onto the ship, where Jonah is aboard, still refusing to obey God’s commandment to go to Nineveh to preach forgiveness to the Assyrians who have destroyed Israel and enslaved its people. Jonah wants revenge—not forgiveness. Just like the Bible story, there’s an intense storm, forcing Sam and Scarlett to jump overboard with Jonah, and they are swallowed into the belly of a megalodon (the huge prehistoric shark is, after all, a “great fish”). After myriad dangers and twists, Jonah reluctantly fulfills his duty and the children are safely returned home with a greater knowledge of their Jewish heritage. Kimmel employs modern syntax and references, matching the breakneck pace of the action. Sam and Scarlett are resourceful and wise beyond their years as they deal with an exasperating and stubborn Jonah. Stevanovic’s manga-inflected, grayscale illustrations feel both ancient and modern.
A lively, magical tale of ancient times with a modern ethos. (Historical fiction/fantasy. 8-12)Pub Date: Oct. 1, 2019
ISBN: 978-1-5415-2216-9
Page Count: 152
Publisher: Kar-Ben
Review Posted Online: July 23, 2019
Kirkus Reviews Issue: Aug. 15, 2019
Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel.
Sure signs that the creative wells are running dry at last, the Captain’s ninth, overstuffed outing both recycles a villain (see Book 4) and offers trendy anti-bullying wish fulfillment.
Not that there aren’t pranks and envelope-pushing quips aplenty. To start, in an alternate ending to the previous episode, Principal Krupp ends up in prison (“…a lot like being a student at Jerome Horwitz Elementary School, except that the prison had better funding”). There, he witnesses fellow inmate Tippy Tinkletrousers (aka Professor Poopypants) escape in a giant Robo-Suit (later reduced to time-traveling trousers). The villain sets off after George and Harold, who are in juvie (“not much different from our old school…except that they have library books here.”). Cut to five years previous, in a prequel to the whole series. George and Harold link up in kindergarten to reduce a quartet of vicious bullies to giggling insanity with a relentless series of pranks involving shaving cream, spiders, effeminate spoof text messages and friendship bracelets. Pilkey tucks both topical jokes and bathroom humor into the cartoon art, and ups the narrative’s lexical ante with terms like “pharmaceuticals” and “theatrical flair.” Unfortunately, the bullies’ sad fates force Krupp to resign, so he’s not around to save the Earth from being destroyed later on by Talking Toilets and other invaders…
Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel. (Fantasy. 10-12)Pub Date: Aug. 28, 2012
ISBN: 978-0-545-17534-0
Page Count: 304
Publisher: Scholastic
Review Posted Online: June 19, 2012
Kirkus Reviews Issue: July 15, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The story would have a real chance on its own merits without these really appallingly bad episodes. (Fantasy. 8-12)
Of course this will sell—as an E.B. White item and one that the publishers are pushing hard, playing it for an adult as well as a juvenile sale.
And that is where I think it really belongs, along with Robert Lawson's books, which reach children chiefly through adults. Thurber was another, but more justifiable on the score of a nice quality of whimsy, which Stuart Little—for me at least—lacks. This seems to me pseudo-fantasy, synthetic, and lacking the tenderness that makes a story such as Wind In The Willows wholly the children's own. Undertones and overtones of this story of a mouse in a human family are unjuvenile on all counts. The central story follows the make-believe as Stuart, complete with hat, cane, pin-striped trousers, and a stout heart, embarks on his small odyssey—a hairbreadth escape in a window shade (victim of a jealous cat), high seas exploits in Central Park, near tragedy in a garbage scow. Then comes the complete flop of the schoolroom episode and the romance.
The story would have a real chance on its own merits without these really appallingly bad episodes. (Fantasy. 8-12)Pub Date: Oct. 17, 1945
ISBN: 978-0-06-026396-6
Page Count: 144
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1945
PERSPECTIVES
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