by Eric Berkowitz ‧ RELEASE DATE: May 4, 2021
A timely contribution to an ongoing debate.
A history of attacks on free speech.
Lawyer and journalist Berkowitz offers a well-informed chronicle of censorship, from ancient times to the present, arguing persuasively that censorship does not work but instead makes ideas more effective by forbidding them. “Once transmitted,” he writes, “an idea is not easily extinguished” despite fierce coercive power wielded to prevent, suppress, or punish expression. In the ancient world, some words, thought to have magical powers, were considered “so venomous” that they were banned. Athens allowed free speech in the agora but silenced thinkers such as Socrates, whose words were seen as polluting and his trial and death, a means of purification. Societies under stress—war, rebellion, class uprisings, religious dissent—often resort to censorship in the form of conflagrations: From Rome to Nazi Germany, many texts have gone up in flames. In the Middle Ages, the state quashed treasonous utterances by instituting public shaming; severed heads went on display as warnings. Beginning around 1450, the printing press, which circulated ideas quickly and widely, proved a bane to censors. Although, in 1670, Spinoza argued that free speech is a right in a free state, that principle has not been easily upheld. Soon after adopting the First Amendment, for example, the fragile new American nation passed a draconian sedition law. With examples of banned books such as Alice’s Adventures in Wonderland and The Grapes of Wrath, Berkowitz underscores John Stuart Mill’s contention that an idea that seems harmful one day might be beneficial on another. As much as he champions free expression, Berkowitz sharply indicts social media companies engaged in “surveillance capitalism,” profiting by allowing racism, anti-Semitism, conspiracy theories, and disinformation to proliferate. Still, faced with this challenge, he reminds readers that “policing speech too aggressively risks exactly the kind of overbearing exercise of state power that spells the end of a free society.”
A timely contribution to an ongoing debate.Pub Date: May 4, 2021
ISBN: 978-0-8070-3624-2
Page Count: 312
Publisher: Beacon Press
Review Posted Online: Feb. 15, 2021
Kirkus Reviews Issue: March 15, 2021
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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