A family tale for modern times—detailed, thorough, and thoughtful—that rings true throughout.
This novel about pain and a search for redemption centers on a power broker in Washington, D.C.
It’s 2016, and Mark White, a 40-something widower, is in even worse shape than he realizes, which would surprise many people. He is the founder and CEO of White & Partners, a tremendously successful public relations firm in Washington that has clients all over the world, including in many emerging nations, within high-tech startups, and in domestic government entities. For those who need their companies’ reputations burnished or, just as important, salvaged, White & Partners is their best bet, their go-to. But after Mark’s wife, Monica, a very successful artist, was killed in a hit-and-run accident, leaving him with their young son, Colin, the magnate fell into a deep depression. Now he is gulping pills and drinking too much while trying to be a corporate superman. Soon, exhausted and rattled, he breaks down and White & Partners suffers, big time. And on top of this, he knows that he is neglecting Colin, who, unsurprisingly, has trouble coping himself. Will Mark work out a salvation for himself and his boy? Bovim writes very well. Readers see the story through Mark’s eyes, so the narration is a vivid part of it. Mark is a keen student of his surroundings and his own troubled soul, introspective almost to a fault. Here is part of his bitter reverie on San Francisco: “I thought about…the wannabe Beat poets…blocked novelists, failed and miserable, destitute jazz pianists and confused painters who still believed that they were one masterful triptych away from a retrospective at the Pompidou.” He describes his own numb travels (and travails) as continually “traversing the continent on United’s weary fleet.” What drives the engrossing book’s second half, the hunt for redemption portion, is Mark’s affection for his son, a genuine love even if it is saturated with guilt. Readers will be fervently hoping for the hero to triumph, silently cheering him on. Colin is preternaturally wise as father and son try to work together to save themselves.
A family tale for modern times—detailed, thorough, and thoughtful—that rings true throughout.Pub Date: June 1, 2020
ISBN: 978-1-951937-38-6
Page Count: 324
Publisher: Epigraph
Review Posted Online: May 7, 2020
Kirkus Reviews Issue: July 15, 2020
Review Program: Kirkus Indie
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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