All the author’s formal risks result in well-earned rewards.
The slow-burn story of Tarek, a Levantine Christian doctor whose life seems prescribed for him in every matter, even love.
As the book opens during Tarek’s boyhood in 1960s Cairo, an omniscient speaker says: “You were of an age to have no life plans beyond what others devised for you. Was it really just a matter of age, though?” The use of “you” throughout the first section creates a distinct separation between Tarek and the speaker, but there’s still a sense of intimacy. The speaker seems to know and deeply feel everything they write about Tarek’s life. Questions of who this speaker is, and whether it could be Tarek himself, hover over a good portion of the novel. Point of view plays an essential role in how the story unfolds over the course of three sections, titled “You,” “Me,” and “Us.” Tarek follows the path expected of him. He becomes a successful doctor with a practice in Dokki and a clinic in Mokattam, and he gets married. “In the Armenian tradition, it fell to your wife’s mother to welcome you into your new home. She offered you a spoonful of honey with nuts, to wish you a sweet life. The spell lasted barely a year.” Tarek’s daily routine is shaken when he meets Ali, who arrives at the clinic seeking help for his mother. The initial medical appointment turns into many visits Tarek pays to Ali and his mother, which now include dinner and conversation. Ali’s mother, whose health has deteriorated, asks Tarek to let Ali work at the clinic. He agrees, and the bond between Ali and Tarek becomes even stronger. Then everything changes for Tarek in a moment: “You were like a child who seizes a momentary lapse in their parent’s attention to open a box of matches. The child doesn’t know when exactly it will happen, or what kind of fire they will spark. But they understand the possibility, however remote.” As they so often do, the speaker adeptly locates a metaphor for the situation and the feelings that result. Chacour’s exceptional restraint in divulging information lets the tension build, carrying the book into the revelation of who is writing Tarek’s story.
All the author’s formal risks result in well-earned rewards.Pub Date: Sept. 24, 2024
ISBN: 9781552454855
Page Count: 232
Publisher: Coach House Books
Review Posted Online: Aug. 3, 2024
Kirkus Reviews Issue: Sept. 1, 2024
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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