Allen fans will delight in spending time with him by proxy, and anyone interested in modern film should find much of...
A Woody Allen confidant follows the legendary filmmaker step by step through the making of a movie.
Whether you love him or hate him, there’s no denying that Allen is one of this century’s most prolific and influential filmmakers. Since 1969, he has written and directed 48 films (and acted in 27 of them), which is a mind-boggling average of one per year. For much of that time, Lax (Faith, Interrupted, 2010, etc.) has been a part of Allen’s small inner circle; he is the author of three books on Allen, including a bestselling 1991 biography. Here, the director allowed the author to follow along through every step of one film: the 2015 drama Irrational Man, starring Joaquin Phoenix and Emma Stone. The intimate access makes the book: Lax was in Allen’s bedroom with him as he wrote the script in longhand, lying fully clothed on top of his bed—though, Allen emphasizes, scripts are often percolating in various states of completion for many years. The author walks readers through the peculiarities of how Allen movies are financed—unwilling to be held hostage to the needs of studios, Allen often pays extra costs out of his own pocket—and cast: “It seems like it’s almost on every actor’s bucket list to be in [a] Woody Allen film,” says his longtime casting director, Juliet Taylor. Lax was there for the location scouting, the shooting itself, the editing process, and the scoring, “a rich dessert for Allen,” who is passionate about jazz, classical, and the American songbook. The book is a highly personal portrait of Allen—we see his insecurities, his vulnerabilities, and his dogged pursuit of a good story, be it for comedy or for deep examination of human morality—and the narrative is ripe with anecdotes and quotes. But the real achievement is seeing in detail the arc of any creative process.
Allen fans will delight in spending time with him by proxy, and anyone interested in modern film should find much of interest in this well-reported study.Pub Date: Oct. 3, 2017
ISBN: 978-0-385-35249-9
Page Count: 352
Publisher: Knopf
Review Posted Online: Aug. 21, 2017
Kirkus Reviews Issue: Sept. 1, 2017
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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