The story of an ink-drinking vampire, and the boy who discovers his nefarious behavior. The nameless boy who narrates is the son of a bibliophile and bookstore owner. The boy isn’t much of a reader (“I guess I do like the sound of paper being torn. It’s like music to my ears”) and welcomes shoplifters, but he has been dragooned into helping at the shop during his summer vacation. He spies on the customers, one of whom is a strange-looking gent who inserts a straw into a book and starts sipping; when the boy later opens the book, the pages are blank. The boy confronts the ghoul in his coffin; the vampire is allergic to blood, and ink is all he can digest—“Bottled ink is as bland as salt-free food. But ink that has been aged on paper, well, it’s the ultimate gourmet dish. Simply sublime.” There’s the intimated nip in the boy’s neck, and he becomes a book fiend just like his father, albeit with different tastes. Sanvoisin’s tale is funny and hip, written with gathering suspense; it’s a cut above most fare for emerging readers, and plays mildly to their sense of the macabre. Matje’s inspired, eccentric illustrations recall the styles of Tomi Ungerer and Edward Gorey. (Fiction. 7-10)
Pub Date: Oct. 1, 1998
ISBN: 0-385-32591-6
Page Count: 48
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1998
Novak (The Pillow War, 1998, etc.) offers another blunt picture book parable. When a blue-skinned mechanical family moves into the old Wilson place, the neighbors are dismayed. The Robobots get a hostile reception in town, too, finding locked doors and signs such as “Weirdos go home” and “No freaks” posted on stores and the school. Distressed but optimistic, the Robobots invite an angry delegation into their radically altered home; after an exhilarating ride on the motorized furniture, plus a shared meal of cheeseburgers and chocolate-covered propellers, the tension floats away on a cloud of smiles. Children may laugh at the Robobots’ animated, pop-eyed furnishings and daffy ingenuousness, but they’ll laugh harder, and with more understanding, at Sam Swope and illustrator Barry Root’s less labored take on the theme, The Araboolies of Liberty Street (1989). (Picture book. 6-8)
Pub Date: April 1, 1999
ISBN: 0-7894-2566-1
Page Count: 32
Publisher: DK Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1999
When his Aunt Phil flies to the western Sudan to recapture an escaped basilisk, she takes Nathaniel Fludd along, reassuring him that he is only to “watch and learn.” Instead, he and his gremlin friend, Greasle, play important roles. This satisfying middle-grade adventure features a hesitant, unskilled hero, a miniature sidekick straight from Where the Wild Things Are and an exotic setting in colonial British West Africa in 1928. The basilisk is appropriately scary, and straightforward storytelling leads to an exciting climax. Readers won’t get and don’t need the entire back story from Flight of the Phoenix (2009), the first in the Nathaniel Fludd, Beastologist series, but those who have read it will surely enjoy the return of the supposed orphan and his formidable aunt. Murphy has provided a full-page pen-and-ink illustration as well as several smaller sketches for almost every chapter, and Nathaniel contributes drawings, too. Sharp-eyed readers will realize that the chapter numbers are counted in animal bones. This story is complete in itself, but the ending promises more adventure to come. (Guide to People, Places, and Things) (Adventure. 7-10)
Pub Date: June 1, 2010
ISBN: 978-0-547-23867-8
Page Count: 160
Publisher: Houghton Mifflin
Review Posted Online: June 3, 2010
Kirkus Reviews Issue: May 15, 2010
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