by Eric Walters & illustrated by Eva Campbell ‧ RELEASE DATE: April 1, 2012
Nevertheless, the love and respect shown between Kioko and his grandfather is both universal and sweetly evident.
A modern Kenyan folktale about the colorful vans that carry people, animals and supplies underpins a story about Kioko, an astute but literal-minded boy, and his grandfather.
While the pair take a ride on the boy’s fifth birthday, Kioko asks why dogs run after matatus. Grandfather uses the opportunity to tell a story about why dogs chase after, sheep ignore and goats run away from the vans. Kioko interrupts his grandfather when confronted with silly ideas like animals talking and riding matatus, but as his grandfather describes a ride during which the dog never got his proper change, a sheep paid his fare exactly and a goat ran off without paying at all, the boy begins to understand both animal and human behavior. The boy asks his grandfather for a cash birthday present and then hands it to the conductor. He maturely tells the man that he is paying for the fare-beating goat, but in return, the conductor must give the dog back his money. Oil paintings provide realistic details of contemporary rural Kenya but include a few spreads in which the animals humorously take on anthropomorphic characteristics. The author’s note, drawing upon his Kenyan experiences, will amuse adults, but the full point of the story may elude youngsters, who are likely to be just as literal-minded as Kioko.
Nevertheless, the love and respect shown between Kioko and his grandfather is both universal and sweetly evident. (Picture book. 5-7)Pub Date: April 1, 2012
ISBN: 978-1-55469-301-6
Page Count: 32
Publisher: Orca
Review Posted Online: Feb. 28, 2012
Kirkus Reviews Issue: March 15, 2012
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by David Milgrim & illustrated by David Milgrim ‧ RELEASE DATE: March 1, 2003
Emergent readers will like the humor in little Pip’s pointed requests, and more engaging adventures for Otto and Pip will be...
In his third beginning reader about Otto the robot, Milgrim (See Otto, 2002, etc.) introduces another new friend for Otto, a little mouse named Pip.
The simple plot involves a large balloon that Otto kindly shares with Pip after the mouse has a rather funny pointing attack. (Pip seems to be in that I-point-and-I-want-it phase common with one-year-olds.) The big purple balloon is large enough to carry Pip up and away over the clouds, until Pip runs into Zee the bee. (“Oops, there goes Pip.”) Otto flies a plane up to rescue Pip (“Hurry, Otto, Hurry”), but they crash (and splash) in front of some hippos with another big balloon, and the story ends as it begins, with a droll “See Pip point.” Milgrim again succeeds in the difficult challenge of creating a real, funny story with just a few simple words. His illustrations utilize lots of motion and basic geometric shapes with heavy black outlines, all against pastel backgrounds with text set in an extra-large typeface.
Emergent readers will like the humor in little Pip’s pointed requests, and more engaging adventures for Otto and Pip will be welcome additions to the limited selection of funny stories for children just beginning to read. (Easy reader. 5-7)Pub Date: March 1, 2003
ISBN: 0-689-85116-2
Page Count: 32
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2003
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by David Milgrim ; illustrated by David Milgrim
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by Kaya Doi ; illustrated by Kaya Doi ; translated by Yuki Kaneko ‧ RELEASE DATE: Sept. 7, 2016
A serene, feel-good outing with a cozy, old-fashioned feel.
In this Japanese import, the first in a long-running series to appear in English, two girls ride bikes through a forest—with stops for clover-blossom tea and jam sandwiches.
It’s such a benign wood that Chirri and Chirra—depicted as a prim pair of identical twins with straight bob cuts—think nothing of sharing both a lunch spot and a nap beneath a tree with a bear and a rabbit. Moreover, at convenient spots along the way there is a forest cafe with a fox waiter plus “tables and chairs of all different size” to accommodate the diverse forest clientele, a bakery offering “bread in all different shapes and jam in all different colors,” and, just as the sun goes down, a forest hotel with similarly diverse keys and doors. That night a forest concert draws the girls and the hotel’s animal guests to their balconies to join in: “La-la-la, La-la-la. What a wonderful night in the forest!” Despite heavy doses of cute, the episode is saved from utter sappiness by the inclusive spirit of the forest stops and the delightfully unforced way that the girls offer greetings to a pair of honeybees at a tiny adjacent table in the cafe, show no anxiety at the spider dangling above their napping place, and generally accept their harmonious sylvan world as a safe and friendly place. Doi creates her illustrations with colored pencil, pastel, and crayon, crafting them to look like mid-20th-century lithographs.
A serene, feel-good outing with a cozy, old-fashioned feel. (Picture book. 5-7)Pub Date: Sept. 7, 2016
ISBN: 978-1-59270-199-5
Page Count: 40
Publisher: Enchanted Lion Books
Review Posted Online: July 25, 2016
Kirkus Reviews Issue: Aug. 15, 2016
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by Kaya Doi ; illustrated by Kaya Doi ; translated by David Boyd
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