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ICE CREAM MONSTERS

Skip the trip to this ice-cream planet, which amply demonstrates that good intentions don't necessarily lead to good art.

One-eyed ice-cream-cone monsters play together on planet Amazing Yummy in this didactic storybook app.

Each page in this app features two ice-cream monsters with different attributes playing together, accompanied by a repetitive explanation: “Some ice cream monsters have cherries and nuts on top of them and some ice cream monsters don’t. Even though these two ice cream monsters are different from one another, they still love to play together.” The opening music is mediocre, the distasteful computer-generated cyclopean cartoon characters frolic about against unappealing forest backgrounds, and the sound effects of kids’ laughter are maniacal and forced. The narration is just awful, with a singsong-y intonation that is as condescending and preachy as the text itself. There is single-page navigation, and the simple interactions mostly focus on changing superficial features of the cones.

Skip the trip to this ice-cream planet, which amply demonstrates that good intentions don't necessarily lead to good art. (iPad storybook app. 3-6)

Pub Date: May 31, 2012

ISBN: N/A

Page Count: -

Publisher: Erik X. Raj

Review Posted Online: July 31, 2012

Kirkus Reviews Issue: Sept. 1, 2012

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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DRAGONS LOVE TACOS

From the Dragons Love Tacos series

A wandering effort, happy but pointless.

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The perfect book for kids who love dragons and mild tacos.

Rubin’s story starts with an incantatory edge: “Hey, kid! Did you know that dragons love tacos? They love beef tacos and chicken tacos. They love really big gigantic tacos and tiny little baby tacos as well.” The playing field is set: dragons, tacos. As a pairing, they are fairly silly, and when the kicker comes in—that dragons hate spicy salsa, which ignites their inner fireworks—the silliness is sillier still. Second nature, after all, is for dragons to blow flames out their noses. So when the kid throws a taco party for the dragons, it seems a weak device that the clearly labeled “totally mild” salsa comes with spicy jalapenos in the fine print, prompting the dragons to burn down the house, resulting in a barn-raising at which more tacos are served. Harmless, but if there is a parable hidden in the dragon-taco tale, it is hidden in the unlit deep, and as a measure of lunacy, bridled or unbridled, it doesn’t make the leap into the outer reaches of imagination. Salmieri’s artwork is fitting, with a crabbed, ethereal line work reminiscent of Peter Sís, but the story does not offer it enough range.

A wandering effort, happy but pointless. (Picture book. 3-5)

Pub Date: June 14, 2012

ISBN: 978-0-8037-3680-1

Page Count: 40

Publisher: Dial Books

Review Posted Online: March 27, 2012

Kirkus Reviews Issue: April 15, 2012

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