by Erica C. Barnett ‧ RELEASE DATE: July 7, 2020
If you’re in the mood for a well-written, relatable, rock-bottom recovery memoir, this will hit the spot.
A Seattle-based political reporter recounts her tumultuous, nearly deadly dance with the bottle.
Writing a recovery memoir seems to be Step 13 for many professional writers of nonfiction who make it out the other side of addiction: Pete Hamill, Leslie Jamison, Mary Karr, David Carr, Caroline Knapp, and Sarah Hepola are just a few of the names that spring to mind. Perhaps because such authors have claimed truth-telling as their life’s work, and because addiction involves so many lies, putting an honest version of this story in print is a necessary part of reclaiming their identities as writers. The problem, of course, is that it’s usually the same story, which puts a heavy burden on prose style. Barnett rises to the challenge with a witty, self-deprecating, sometimes snide voice. (She describes her boyfriend’s friends as “well-adjusted in ways that made me nervous, with carefully curated lives filled with long-haired, gender fluid children, camping trips, and backyard chicken coops.”) The author engagingly chronicles her Southern roots and her school years in a Houston suburb, including some heavy teenage drinking, and then moves on to her first jobs, at the Texas Observer and the Austin Chronicle. In Austin, she found that “the grown-up world replicates high school in ways we don’t always recognize or acknowledge,” and her attempts to fit in with her new peer group led to her first blackout drinking. Barnett's journey involved an almost unbearable number of relapses, and readers may begin to feel the way her family and friends did: out of patience and sympathy. Nonetheless, this is the truth, and she tells it openly. Like many others, she utterly denied that AA was right for her—until it became the only way to save her life.
If you’re in the mood for a well-written, relatable, rock-bottom recovery memoir, this will hit the spot.Pub Date: July 7, 2020
ISBN: 978-0-525-52232-4
Page Count: 336
Publisher: Viking
Review Posted Online: April 19, 2020
Kirkus Reviews Issue: May 15, 2020
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by Amy Tan ; illustrated by Amy Tan ‧ RELEASE DATE: April 23, 2024
An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
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SEEN & HEARD
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IndieBound Bestseller
by Steve Martin illustrated by Harry Bliss ‧ RELEASE DATE: Nov. 17, 2020
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
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IndieBound Bestseller
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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