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ALL THREE STOOGES

An authentically awkward exploration of grief particularly well-suited for preteen boys.

Seventh-grader Noah Cohen and his best friend, Dash, eat, sleep, and breathe comedy, so it’s no surprise they choose to research Jewish comedians for their mitzvah project at Hebrew school, even if it means partnering with Noah’s female nemesis, Noa Cohen.

As long as Noah and Dash can spend their weekends watching movies and making up comedy sketches with Dash’s dad, the “coolest guy on the planet,” life is good. Until it isn’t. Dash’s father’s unexpected death is devastating for Noah, not only because he misses Gil, but because it drives a wedge between the two best friends as Dash struggles to cope. What’s worse is that Dash has found a new confidant seemingly overnight, leaving Noah reeling and desperate to win back his best friend. Despite the support of his two moms, his sister, and his rabbi, Noah leaps and lurches awkwardly through his first real experience with death. While it is uncomfortable and sometimes even painful to read, Noah’s struggle also feels incredibly authentic. And fortunately for readers, there’s just enough humor to help lighten the mood when things get dark. While the primary characters all appear to be white, it is beyond refreshing to see a story that is so thoroughly Jewish without a hint of persecution. And while bookshelves are filled with stories about children losing a family member, this novel offers something new by focusing on the unexpected loss of someone beloved but not related. An author’s note and list of resources follow the story.

An authentically awkward exploration of grief particularly well-suited for preteen boys. (Fiction. 8-12)

Pub Date: Jan. 9, 2018

ISBN: 978-0-399-55175-8

Page Count: 240

Publisher: Knopf

Review Posted Online: Sept. 30, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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THE VERY, VERY FAR NORTH

Quirky and imaginative—postmodern storytelling at its best.

Friendly curiosity and a gift for naming earn a polar bear an assortment of (mostly animal) friends, adventures, mishaps, and discoveries.

Arriving at a northern ocean, Duane spies a shipwreck. Swimming out to investigate, he meets its lone occupant, C.C., a learned snowy owl whose noble goal is acquiring knowledge to apply “toward the benefit of all.” Informing Duane that he’s a polar bear, she points out a nearby cave that might suit him—it even has a mattress. Adding furnishings from the wreck—the grandfather clock’s handless, but who needs to tell time when it’s always now?—he meets a self-involved musk ox, entranced by his own reflection, who’s delighted when Duane names him “Handsome.” As he comes to understand, then appreciate their considerable diversity, Duane brings out the best in his new friends. C.C., who has difficulty reading emotions and dislikes being touched, evokes the autism spectrum. Magic, a bouncy, impulsive arctic fox, manifests ADHD. Major Puff, whose proud puffin ancestry involves courageous retreats from danger, finds a perfect companion in Twitch, a risk-aware, common-sensical hare. As illustrated, Sun Girl, a human child, appears vaguely Native, and Squint, a painter, white, but they’re sui generis: The Canadian author avoids referencing human culture. The art conveys warmth in an icy setting; animal characters suggest beloved stuffed toys, gently reinforcing the message that friendship founded on tolerance breeds comfort and safety.

Quirky and imaginative—postmodern storytelling at its best. (Animal fantasy. 8-12)

Pub Date: Sept. 10, 2019

ISBN: 978-1-5344-3341-0

Page Count: 272

Publisher: Atheneum

Review Posted Online: May 7, 2019

Kirkus Reviews Issue: June 1, 2019

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GHOSTS

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...

Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.

Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)

Pub Date: Sept. 13, 2016

ISBN: 978-0-545-54061-2

Page Count: 256

Publisher: Scholastic

Review Posted Online: July 1, 2016

Kirkus Reviews Issue: July 15, 2016

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