A deeply realized, if overlong, novel of neurodivergence and golf.
In Anderson’s novel, a young golfer on the autism spectrum does time for murder.
Charles “Chunk” Dawson’s Asperger’s syndrome has always set him apart. People often patronize or belittle him—or even misinterpret his affect for arrogance or aloofness. Since his meteoric rise as a teenage golf phenom, he’s mostly been able to hide his condition. “I certainly didn’t want the truth to ever come out. I wanted them to fear, not pity me. I also wanted to retain the power of a secret, like the philanderer, or boozer, or embezzler who draws strength from the excitement of the initial impunity.” Even when he went on trial for killing a man, Chunk kept his Asperger’s hidden from the court, convinced he would be acquitted regardless. He was wrong, and he’s now serving a five-to-seven-year sentence at the Western Missouri Diagnostic and Correction Center. As Chunk bides his time until his release, he ruminates on how his life came to unfold the way it did: his adoption by a wealthy but dysfunctional couple in San Diego County; his aptitude for golf, fostered by his sage, arthritic trainer-turned-caddie, Jim Wellington; and the confrontation that led to the death of one of Chunk’s opponents. Is Chunk the greatest redemption story in sports waiting to happen, or is he about to reenter a world with which he is—and has always been—completely incompatible? Anderson’s prose is sharp and insightful, capturing Chunk’s elegant philosophizing: “I am a professional golfer but will readily admit that I am an amateur human being.” More than the plot, it’s Chunk and his understated yet gripping storytelling style that keep the reader invested. Even so, at nearly 500 pages, the book is far longer than it needs to be, and there are moments when the momentum lags. Fans of golf will especially enjoy this offbeat tale, but at its heart, Chunk’s story is one of alienation that should appeal to loners and malcontents of all stripes.
A deeply realized, if overlong, novel of neurodivergence and golf.Pub Date: N/A
ISBN: N/A
Page Count: 485
Publisher: Manuscript
Review Posted Online: June 17, 2022
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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