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THE ONLY LIGHT LEFT BURNING

This sequel needs a few booster shots.

Where do you go after the world ends?

Picking up almost immediately after the events of All That’s Left in the World (2022), this second foray into a post-apocalyptic world follows teen boyfriends Andrew and Jamie as they attempt to make a home among the few survivors of a superflu that killed most of the world’s population. Unfortunately, home is a difficult concept, especially after a hurricane severely damages their colony in the Florida Keys. Not only does the destruction derail the colony members’ northward expedition in search of survivors, but a request for aid could potentially put Andrew and Jamie within reach of the Fort Caroline settlement, a racist, homophobic religious colony in Georgia that the duo barely escaped. The pair decide to escape from both communities with a small group of friends. Their bond is tested as they forge new relationships, and some people are lost. The novel doesn’t have a lot of exposition for new readers (or forgetful readers of the first book), which may make the first few chapters challenging, and the story moves at a clip that hinders character development. Die-hard fans will love delving into the story again, but astute readers may wonder why, in a post-apocalyptic world without cell phones and other screen distractions, the two white boys can’t find time to talk about their differences?

This sequel needs a few booster shots. (Post-apocalyptic adventure. 12-18)

Pub Date: May 28, 2024

ISBN: 9780063338272

Page Count: 416

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: March 9, 2024

Kirkus Reviews Issue: April 1, 2024

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ANYA'S GHOST

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...

A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.

Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set. 

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)

Pub Date: June 7, 2011

ISBN: 978-1-59643-552-0

Page Count: 224

Publisher: First Second

Review Posted Online: April 18, 2011

Kirkus Reviews Issue: May 1, 2011

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THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is building a complex mythology; now is a great time to tune in.

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Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 25, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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