Next book

SOMEWHERE SISTERS

A STORY OF ADOPTION, IDENTITY, AND THE MEANING OF FAMILY

An engaging portrait of intersected lives.

Twins, raised apart, recover their bonds.

Journalist Hayasaki, the daughter of a Japanese father and White American mother and herself the mother of identical twin boys, examines questions about biological and cultural identity, nature versus nurture, and the complexities of transracial adoption, focusing on the lives of three adopted Vietnamese girls: identical twins Ha and Loan, born in 1998, and Khanh Nhu, born in 1999, not related to the twins. Given up by an unwed mother who lived in poverty, Ha was raised by an aunt and her partner in a rural village in Vietnam; Loan was left in an orphanage, where Khanh Nhu soon arrived. In 2002, Loan and Khanh Nhu were adopted by a wealthy White couple who believed that by removing the girls from poverty, they were offering them a chance at a better life. The adoptive parents renamed the girls Isabella and Olivia and raised them, along with their four biological children, in an affluent Chicago suburb. Discovering that Loan had a twin, the family worked tirelessly to connect the sisters to each other and their birth families, involving many trips to Vietnam. Hayasaki places the girls’ experiences in the context of decades of transracial and transnational adoptions, beginning after World War II, when couples began “seeking out children whom they believed had been cast aside, impoverished, or born to families fragmented by war and upheaval.” Adoption, writes the author, became “increasingly embraced as a political act, and a humanitarian one.” But America’s racist attitudes marginalized and victimized many Black, Asian, and biracial children, including Isabella and Olivia, who were often bullied. Hayasaki weaves their reflections about belonging, heritage, and identity—gleaned from hundreds of hours of interviews with the girls and their birth and adoptive families—with a broad consideration of adoption and twin studies that aim to shed light on the extent to which genes and environment shape human behavior, personality, and development.

An engaging portrait of intersected lives.

Pub Date: Oct. 11, 2022

ISBN: 978-1-61620-912-4

Page Count: 320

Publisher: Algonquin

Review Posted Online: Aug. 9, 2022

Kirkus Reviews Issue: Sept. 1, 2022

Awards & Accolades

Likes

  • Readers Vote
  • 34


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE LOOK

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

Awards & Accolades

Likes

  • Readers Vote
  • 34


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A coffee-table book celebrates Michelle Obama’s sense of fashion.

Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

Pub Date: Nov. 4, 2025

ISBN: 9780593800706

Page Count: 304

Publisher: Crown

Review Posted Online: Nov. 7, 2025

Kirkus Reviews Issue: Jan. 1, 2026

Next book

POEMS & PRAYERS

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”

McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

Pub Date: Sept. 16, 2025

ISBN: 9781984862105

Page Count: 208

Publisher: Crown

Review Posted Online: Aug. 15, 2025

Kirkus Reviews Issue: Sept. 15, 2025

Close Quickview