Outstanding natural history writing.
A fascinating exploration of deer.
“Deer are the largest wild animals we still live with in any widespread way, one of the signal species of our time, as firmly established in our cities as in our national parks,” writes journalist Howsare. They are definitely not tame, but it’s a fallacy that they prefer untouched wilderness. Human-logged forests with plenty of brush provide lots of food, as do abandoned farms, cuts under power lines, and suburban neighborhoods. In parallel with bison, they were driven nearly to extinction by hunters after the arrival of European settlers. During their low point in the early 1900s, they survived in isolated pockets, but conservation and restocking supercharged them into a spectacular wildlife restoration success story—so much so that they began to wreak havoc on farms, parks, and gardens. Cars kill hundreds of thousands of deer per year, with several hundred humans dying in the collisions. What is to be done? Howsare offers no solutions but delivers entertaining accounts of the efforts. Today’s “deer management” is the job of state wildlife agencies, who use recreational hunters as their essential tool. Yet hunters want bigger herds and prefer killing bucks to does. Because “most hunters take zero to two deer per year,” they can never reduce the population, and reintroducing wolves, bears, and other predators, even in national parks, produces fierce opposition from neighboring ranchers. Mass killing (“culling”), although popular to eliminate snakes, feral pigs, and even coyotes, produces almost universal outrage. Howsare is not a hunter, but she is evenhanded, agreeing that to eat meat and oppose killing animals doesn’t make sense. She delivers sympathetic portraits of her brother, an avid hunter, and of hunting ranches, largely denounced by the hunting establishment, where customers pay a small fortune to shoot deer and other wildlife.
Outstanding natural history writing.Pub Date: Jan. 2, 2024
ISBN: 9781646221349
Page Count: 368
Publisher: Catapult
Review Posted Online: Sept. 26, 2023
Kirkus Reviews Issue: Nov. 1, 2023
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
