An eerie and sophisticated dark fantasy.
The famous Christmas ballet takes a sinister turn in Johansen’s spooky retelling.
All the pieces of the well-known story are here. At the Stahlbaum family Christmas Eve party, darling Clara receives a gift of a magical nutcracker from the mysterious magician, Drosselmeyer. That night, Clara journeys to the magical Kingdom of Sweets, alongside her nutcracker prince, and is welcomed by the Sugar Plum Fairy. But there’s more to this fairytale dream than classical music fans might remember. In Johansen’s telling, Clara is the beautiful and beloved counterpart to her twin sister, the plain and bookish Natasha. Drosselmeyer is a feared sorcerer who blessed (or was it cursed?) the twins as infants, giving Clara a charmed life and Natasha a desolate one. At that fated Christmas party, Drosselmeyer makes the happy announcement that Clara will marry Conrad, a wealthy future duke with whom Natasha is desperately in love. When the evening turns magical, Natasha follows Clara into the Kingdom of Sweets. Seething and resentful of Clara’s unending good fortune, Natasha finds a sympathetic ear in the Sugar Plum Fairy. Natasha can see that the Fairy is not what she seems, but she’s so consumed with envy and heartbreak that she accepts the Fairy’s dark bargain: Natasha can take her revenge against Clara for the small price of helping the Fairy fulfill her own sinister plans for Drosselmeyer. It would be a simple thing to take the outlines of The Nutcracker ballet and make it grim, but Johansen is doing a lot of delicate character work here, primarily around envy, social limitations on women’s choices, and accountability. The world beyond the candy fantasy is satisfyingly creepy but also an effective landscape for exploring what happens when you ignore the rotten core of your deepest desires.
An eerie and sophisticated dark fantasy.Pub Date: Nov. 28, 2023
ISBN: 9781524742751
Page Count: 368
Publisher: Dutton
Review Posted Online: Sept. 23, 2023
Kirkus Reviews Issue: Oct. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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