Sadly, the storytelling runs aground.
A little red sleigh has big Christmas dreams.
Although the detailed, full-color art doesn’t anthropomorphize the protagonist (which readers will likely identify as a sled and not a sleigh), a close third-person text affords the object thoughts and feelings while assigning feminine pronouns. “She longed to become Santa’s big red sleigh,” reads an early line establishing the sleigh’s motivation to leave her Christmas-shop home for the North Pole. Other toys discourage her, but she perseveres despite creeping self-doubt. A train and truck help the sleigh along, and when she wishes she were big, fast, and powerful like them, they offer encouragement and counsel patience. When a storm descends after the sleigh strikes out on her own, an unnamed girl playing in the snow brings her to a group of children who all take turns riding the sleigh down a hill. When the girl brings her home, the sleigh is crestfallen she didn’t reach the North Pole. A convoluted happily-ever-after ending shows a note from Santa that thanks the sleigh for giving children joy and invites her to the North Pole next year. “At last she understood what she was meant to do. She would build her life up spreading joy, one child at a time.” Will she leave the girl’s house to be gifted to other children? Will she stay and somehow also reach ever more children? Readers will be left wondering. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 31.8% of actual size.)
Sadly, the storytelling runs aground. (Picture book. 3-6)Pub Date: Oct. 1, 2020
ISBN: 978-1-72822-355-1
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
Lighthearted and un-scary enough for bedtime.
Talk show host Fallon and illustrator Deas follow up 5 More Sleeps ’Til Christmas (2020) with a story of a youngster preparing for Halloween.
“It’s FIVE more sleeps ’til Halloween, / that spooky time of year / where all the ghosts are wide awake / as nighttime’s drawing near.” A calendar page with a large numeral 5 curls before a bright orange pumpkin. An orange-haired, light-skinned moppet wearing an enormous pair of blue glasses is hunkered down in bed with Gary the dog, whose vibrant blue coloring matches the bedspread. Occasionally accompanied by a sibling, the young narrator counts down day by day, describing seasonal activities: picking out a costume, navigating a corn maze, watching scary movies, taking part in a parade, going on a hayride, and trick-or-treating. The rhyming verses are sometimes a bit rocky but always fun. The text is periodically punctuated by the word boo, which appears in large, cartoonlike lettering; that, along with the calendar countdown motif, adds a pleasant repetition. Though the child confides feelings of trepidation (“What if bats fly in my room? / I think I’ll close my window now”), descriptions of scary moments are always offset by brightly colored, exuberant artwork. Humor abounds: Gary looks both hilarious and sweet dressed in a ghost costume that matches the narrator’s. The final page neatly closes the circle as the child goes from anticipating the holiday to participating in it and back again.
Lighthearted and un-scary enough for bedtime. (Picture book. 3-6)Pub Date: Sept. 3, 2024
ISBN: 9781250857798
Page Count: 48
Publisher: Feiwel & Friends
Review Posted Online: May 31, 2024
Kirkus Reviews Issue: July 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for...
Oliver, of first-day-of-school alligator fame, is back, imagining adventures and still struggling to find balance between introversion and extroversion.
“When Oliver found his egg…” on the playground, mint-green backgrounds signifying Oliver’s flight into fancy slowly grow larger until they take up entire spreads; Oliver’s creature, white and dinosaurlike with orange polka dots, grows larger with them. Their adventures include sharing treats, sailing the seas and going into outer space. A classmate’s yell brings him back to reality, where readers see him sitting on top of a rock. Even considering Schmid’s scribbly style, readers can almost see the wheels turning in his head as he ponders the girl and whether or not to give up his solitary play. “But when Oliver found his rock… // Oliver imagined many adventures // with all his friends!” This last is on a double gatefold that opens to show the children enjoying the creature’s slippery curves. A final wordless spread depicts all the children sitting on rocks, expressions gleeful, wondering, waiting, hopeful. The illustrations, done in pastel pencil and digital color, again make masterful use of white space and page turns, although this tale is not nearly as funny or tongue-in-cheek as Oliver and His Alligator (2013), nor is its message as clear and immediately accessible to children.
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for all children but sadly isn’t. (Picture book. 3-5)Pub Date: July 1, 2014
ISBN: 978-1-4231-7573-5
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: May 18, 2014
Kirkus Reviews Issue: June 1, 2014
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