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TRUE AT FIRST LIGHT

A FICTIONAL MEMOIR

Ernest Hemingway never kept a journal, says his son Patrick, editor of this book from a manuscript twice its size describing life in a Kenyan safari camp in the winter of 1953—54. It can of course be called fiction, however much it seems like a journal. An autobiography, say. Little —happens.— The threat of an uprising of local Africans soon dissipates. Christmas is coming (—the Birthday of the Baby Jesus—) and wife Mary chooses a tree that —would make an elephant drunk for two days if he ever ate it.— Daily hunting has taken place for six months in hopes of fulfilling Mary’s strong wish to kill a lion, a desire both she and Hemingway say they —understand,— though the reader may not. Patrick hints that it has to do with Mary’s feelings about Debba, a beautiful and charming African girl whom Hemingway would like (quite seriously) to take as a second wife if law only permitted. The lion is killed, but Mary is unsatisfied, believing that Hemingway shot first (he didn—t). In time, after Mary takes a trip to Nairobi, all is well again and the two embarrass the reader anew with their love-endearments (—we—ll both sleep like good kittens—). The true book, though, is less in its events than in the unmonitored voice of its author. Hemingway, talking, offers a compendium of his familiar old symbols, themes, moods, feelings, details. But the voice is also like hearing the author from somewhere beyond the grave, speaking from within his own absence. —You don—t ever have despair do you Ernie?— asks a friend. The answer, sad in a way it could never have been when written: —I—ve seen it close enough to touch it but I always turned it down.— Uneven, imperfect, irritating, amusing, moving, and of treasurable importance to an understanding of this massive however flawed genius of our literature.

Pub Date: July 6, 1999

ISBN: 0-684-84921-6

Page Count: 320

Publisher: Scribner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1999

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MURDER AT THE TAFFY SHOP

The romantic doings of the likable characters are more interesting than the mediocre mystery.

A bike shop owner and her book club pals keep solving mysteries in ways that somehow don’t endear them to the police (Murder on Cape Cod, 2018, etc.).

Mackenzie Almeida, the proprietor of Mac’s Bikes in the touristy Cape Cod town of Westham, is dating Tim Brunelle, the caring and handsome owner of an artisanal bakery, who wants to get married and start a family. That’s not something independent neat freak Mac is ready to do. She enjoys living in her tiny house with Belle, her talkative parrot, for company. When Mac and her best friend, Gin, come across the dead body of wealthy Beverly Ruchart outside Gin’s taffy shop, Mac’s romantic problems get put on the back burner, especially since Gin is a suspect. She and her date, Eli Tubin, the widower of Beverly’s daughter, had attended a party at Beverly’s home only the night before. Beverly seems to have died from a heart attack, but an autopsy finds that she was poisoned with antifreeze, some of which has been planted in Gin’s garage. Of course Mac and her cohorts at the book club can’t resist a little sleuthing. They uncover several other plausible suspects: Beverly’s ne’er-do-well grandson, Ron, his Russian girlfriend, and his long-absent father, who has a police record. Although Beverly could be generous, she had a sharp tongue that made her plenty of enemies. Her interest in genealogy and reuniting long-lost parents and children endeared her to Wesley Farnham, for whom she found a son, but not so much to Farnham’s daughter, who misses being an only child. Although Mac turns her findings over to the police, she still attracts the killer’s notice and ends up owing her life to Belle.

The romantic doings of the likable characters are more interesting than the mediocre mystery.

Pub Date: March 31, 2020

ISBN: 978-1-4967-1508-1

Page Count: 304

Publisher: Kensington

Review Posted Online: Jan. 12, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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THE PEARL

Steinbeck's peculiarly intense simplicity of technique is admirably displayed in this vignette — a simple, tragic tale of Mexican little people, a story retold by the pearl divers of a fishing hamlet until it has the quality of folk legend. A young couple content with the humble living allowed them by the syndicate which controls the sale of the mediocre pearls ordinarily found, find their happiness shattered when their baby boy is stung by a scorpion. They dare brave the terrors of a foreign doctor, only to be turned away when all they can offer in payment is spurned. Then comes the miracle. Kino find a great pearl. The future looks bright again. The baby is responding to the treatment his mother had given. But with the pearl, evil enters the hearts of men:- ambition beyond his station emboldens Kino to turn down the price offered by the dealers- he determines to go to the capital for a better market; the doctor, hearing of the pearl, plants the seed of doubt and superstition, endangering the child's life, so that he may get his rake-off; the neighbors and the strangers turn against Kino, burn his hut, ransack his premises, attack him in the dark — and when he kills, in defense, trail him to the mountain hiding place- and kill the child. Then- and then only- does he concede defeat. In sorrow and humility, he returns with his Juana to the ways of his people; the pearl is thrown into the sea.... A parable, this, with no attempt to add to its simple pattern.

Pub Date: Nov. 24, 1947

ISBN: 0140187383

Page Count: 132

Publisher: Viking

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: Nov. 1, 1947

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