A speculative take on the all-too-real rot at the heart of the beauty and wellness industry.
A South Jersey teen and her brother have their lives changed by a wellness product that alters users’ faces.
Seventeen-year-old Kashmira Mehta can’t stand her face. Not that she’s ugly; it’s just that she looks far too much like her father, Vinod. Not only has Vinod abandoned the family—there’s herself; her older brother, Nikhil; and their mother, Ami—but he was a tyrant, so obsessed with assimilating into American culture that he refused to allow his children to learn about their Indian heritage. Kashmira was even forbidden from spending time with her best friend, Roshni, who merely wanted Kashmira to attend her kathak dance classes. But now there’s a new product on the market from a company called Evolvoir that uses nanoparticles to rearrange facial features, and Kashmira hopes it’s her answer to no longer seeing her father’s face every time she looks in a mirror. Moreover, Nikhil is an Evolvoir employee in charge of spearheading the company’s move into more aggressive uses of the face-changing technology. His goal is idealistic: He wants to get his product into the hands of “everyone who need[s] it,” especially “BIPOC clients, many of whom he is aware have less access to competent mental health services.” But as Kashmira begins using the cream and starts suffering dire physical consequences, and as Nikhil struggles to control the trajectory of the company, they must both re-examine the ethical implications of their choices. Though Surya can be heavy-handed in her messaging and heavy-footed in her prose, this debut is thoughtful in its handling of tricky themes of identity, belonging, and, perhaps most compellingly, the intersection of wellness culture and chronic illness. Surya handles this latter with unflinching—even discomfiting—clarity.
A speculative take on the all-too-real rot at the heart of the beauty and wellness industry.Pub Date: Nov. 11, 2025
ISBN: 9780802164681
Page Count: 320
Publisher: Roxane Gay Books/Grove
Review Posted Online: Aug. 29, 2025
Kirkus Reviews Issue: Oct. 1, 2025
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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