A vibrant celebration of identity and the push-pull between heritage and autonomy.
Three sisters coming of age in Brooklyn’s Syrian Jewish community navigate tradition, love, and self-discovery within the constraints of a tightknit religious world.
The novel opens as Fortune, the middle sister in the Cohen family, thinks about her upcoming wedding to Saul Dweck, a nice boy from the neighborhood who meets every expectation but stirs little passion. Fortune has been working as an office assistant at her father’s company, biding her time until marriage, as is expected. Her older sister, Nina, spends her days helping their mother with her thriving catering company. At 26, Nina’s already considered a spinster, yet she’s just beginning to think about what she might want from life. When a job at a record label falls in her lap, she grabs it, eager to taste independence beyond their insular community. Meanwhile, the youngest sister, Lucy, a senior at a local Jewish high school, has recently caught the eye of a highly eligible 30-year-old doctor named David, and nobody seems to mind their glaring age difference. As Nina and Lucy begin to challenge what’s expected of them, Fortune begins to wonder whether she has the courage to upend her safe, preordained future with Saul for something less certain, but perhaps far more satisfying. Told in alternating first-person narratives from each of the three sisters, the novel offers many evocative, chaotic, slice-of-life moments. From the savory smells of traditional dishes, to the sharp-edged banter among mother and daughters, the story is chock-full of vivid details and prose that brings the rhythms of this Syrian-American Jewish family to life. The relationship between Lucy and David, and the unequal power dynamic between this 18-year-old high schooler and a much older man, raises concerns that warranted greater attention, leaving a gap in an otherwise thoughtful portrayal of gender and tradition. Even so, this plot-driven novel deftly examines weighty themes like generational pressure, sisterhood, and quiet rebellion, creating an intimate, tender, and insightful portrait of women carving space for themselves in a world that offers them little room to breathe.
A vibrant celebration of identity and the push-pull between heritage and autonomy.Pub Date: July 22, 2025
ISBN: 9780593734544
Page Count: 320
Publisher: Random House
Review Posted Online: May 16, 2025
Kirkus Reviews Issue: June 15, 2025
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A debut novel with bright spots, but unbalanced and lacking in finesse.
A high school senior pursues an affair with her teacher.
Seventeen-year-old Waldo, the narrator of McCurdy’s fiction debut, lives in Anchorage, Alaska, with her mother, though she’s long been the parent in their relationship. She heats her own frozen meals and pays the bills on time while her mom chases man after man and makes well-meaning promises she never keeps. Waldo blows her Victoria’s Secret wages on online shopping sprees and binges on junk food, inevitably crashing after the fleeting highs of her indulgences. Mr. Korgy, her creative writing teacher, has “thinning hair and nose pores”; he’s 40 years old and married with a child. Nevertheless—or possibly as a result?—Waldo’s attraction to him is “instant. So sudden it’s alarming. So palpable it’s confusing.” Mr. Korgy professes to want to keep their friendship aboveboard, but after a sexual encounter at the school’s winter formal that she initiates, an affair begins. Will this reckless pursuit be the one that actually satisfies Waldo, and is she as mature as she thinks she is? Waldo is a keen observer of people and provides sharp commentary on the punishing work of female beauty. Readers of McCurdy’s bestselling memoir, I’m Glad My Mom Died (2022), will surely be curious about the tumultuous mother-daughter relationship, and it is one of the novel’s highlights, full of realistic pity and anger and need. (“I want to scream at her. I want her to hug me.”) Unfortunately, the prose is often unwieldy and sometimes downright cringeworthy: When Waldo tells Mr. Korgy she loves him, “The words hang in the air in that constipated way they do when you know that you shouldn’t have said them.” Waldo frequently lists emotions and adjectives in triplicate, and events that could be significant aren’t sufficiently explored or given enough space to breathe before the novel races on to the next thing.
A debut novel with bright spots, but unbalanced and lacking in finesse.Pub Date: Jan. 20, 2026
ISBN: 9780593723739
Page Count: 288
Publisher: Ballantine
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
BOOK REVIEW
SEEN & HEARD
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
